Saturday, November 22, 2014

Centre Stage South Carolina seeks full-length plays

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Play Submission Guidelines and Process
  • We are searching for commercially viable comedies and dramas with innovative storytelling that deal with important social issues.
  • We accept only previously unproduced comedies and dramas with a running time of one hour and fifteen minutes to two hours.
  • Playwrights may submit only one play per year.
  • Plays that have received prior readings and development will receive favorable consideration.
  • We do not accept musicals or plays for youth.
  • Plays with excessive violence or profanity will receive limited consideration.
  • Cast size is limited to six.
  • Plays that utilize double (or triple or quadruple…) casting should use this technique for a dramaturgical reason. Double casting should not be an attempt to make a play with a large cast fit the guidelines.
  • Providing playwrights with the highest quality actors is a priority. Plays that can be effectively cast within our market will be considered favorably.
  • Playwrights are encouraged to submit plays that require minimal technical elements and are suited to our thrust stage. Please view the seating chart or our Theatre Accessibility page for images of the theatre.
  • There is no submission fee.
  • Hard copies will be read by at least two readers. However, the following will be rejected:
Screenplays or teleplays submitted as theatrical plays
Obvious first drafts
Plays with typos and spelling errors
Plays that are not formatted according to industry standards
Plays that require costly design elements
Submission Process

Mail the UNBOUND full text of the play along with the following required materials by February 1st to:
New Play Festival Literary Manager, 
Centre Stage
P.O. Box 8451, Greenville, SC 29604

Do not include return postage. Plays that are not accepted into the festival will be recycled. Submissions received after February 1 will be considered for next year’s festival. Semifinalists will be contacted by early June. Finalists will be contacted and posted to our website in early July.

Playwrights accepted into the festival will receive travel and lodging as well as one-on-one time with the playwright-in-residence. Each play will receive at least three rehearsals with a professional director and actors.

If you are wondering if your play is a good match for Centre Stage or if you have any questions about the festival, please do not hesitate to send an inquiry to
A full description/synopsis of the story including stylistic and thematic content. This description is not a teaser or publicity blurb; it should be approximately half a page long and include all major plot elements including the climax.
The complete casting requirements (limited to six actors)
The development history of the play (if any)
A brief bio (please be assured that past professional experience is not required)
Full contact information, including phone number and email address.

Teatro Diablo is looking for plays on "border" issues

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Teatro Diablo , a new student run theater company at Arizona State University, is looking for plays on "border" issues for an event in the spring of 2015 in Tempe, AZ. A "border" issue can include, but is not limited to· immigration/anti-immigration· undocumented persons/students (e.g., Dreamers)· border security/violence· human trafficking/drug trafficking Plays do not need to concentrate on the US-Mexico border but any "border" between nations and plays can be written in either English, Spanish, or bilingual English/Spanish.
Plays must be no longer than 12 pages and in proper play format as a .doc or .pdf. This is a blind submission process. No identifying information (name, address, email, phone number) should be included in your play script submission.

In a separate title page or document, please include the following:
Bio (no more than 100 words):
Your bio will not be read with your submission. It will be used for promotional purposes if your play is selected.

Please include the words Border Submission: [NAME OF YOUR PLAY] in the subject line and email your play submission and title page as an attachment to

We are particularly interested in plays with small casts, simple staging and technical elements. Accepted playwrights will be notified via email. Anyone who submits to this call will receive a press release announcement of the accepted plays. There is no submission fee and no compensation if your play is selected. Deadline for submissions is Monday, December 15, 2014.

Friday, November 21, 2014

New Theatre submission guidelines

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Playwrights and/or Agents interested in submitting plays for our consideration please adhere to the following:
  • New Theatre produces World Premieres as well as second and third productions.
  • New Theatre primarily produces plays with casts smaller than six characters during its main season; do not send scripts with more than six unless they can be double cast.
  • New Theatre is not a presenter, so please don't send one-person shows that are looking for a tour date in Miami; we reserve the right to cast and produce the work accordingly.
  • Best times to submit play inquiries are July through November to be considered for the following season.
  • Make sure you send a self-addressed envelope if you want your materials returned and a self-addressed postcard to be advised it arrived.
  • Due to the large amounts of submissions each year, be aware that you will not be contacted for at least two to three months.
  • Please do not phone Artistic Director Ricky J. Martinez.
Email or send a query letter, brief description of play, character list, set requirements, and production history to our Literary Manager, Steven Chambers at

The Griot Festival seeks plays 30 - 90 minutes long

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The Griot Festival was created with the intention of offering a unique opportunity for playwrights/theatrical artists and Producers of African American descent who reside in NY and NJ. The festival’s purpose is to inspire and support both emerging and established playwrights/theatrical artists of African American descent who would like to step beyond the page and get involved in the production of their work. In short, they will have creative input from the first sentence they write to the last curtain call. It is also a great opportunity to become familiar with all the elements of a theatrical production in the making and to become familiar with the process that translates writing into a living work onstage in a safe and supportive theatrical environment. The Griot Festival is included and part of the Venus/Adonis Festival. All participants that are part of the Griot Festival will benefit of competing to all prizes offered by the Venus/Adonis Festival + an extra prize as best Play of the Griot festival only given to the Griot’s participants of $250.

Only plays from writers of African American descent in New York and New Jersey will be accepted.

All genres of shows are welcome in our festivals. If your show has already had a run (in theaters or in other festivals) you can still participate, but only with a completely new cast and crew.

The Griot Festival is a playwright’s contest designed to offer writers a chance to direct their own shows, helping them to develop a sense of casting, staging, use of lights and direction. With Griot, it is our intention to give writers a chance to create their vision from the first stroke of their pen to the last scene of their play. Griot is part of the Venus/Adonis which is not only a festival; it’s a competition as well. That means that there are prizes! The winner of the Best Play award will receive a prize of $2,500. Best African American Production $250, Winner of Best Actor will receive $500, Best Actress, $500, $500 Best Director and $200 Best Original Play. Griot and Venus/Adonis, are hosted by the Cabrini Repertory Theater, a beautiful proscenium theater in uptown Manhattan.

In order to submit a play please send the following via email:

1. A 100 word synopsis of the play

2. The complete script + character breakdown

3. Your telephone number and home address, plus the phone number of one other person in your production that we can contact

4. Your bio

5. All genres of shows are welcome to submit to our festivals. If they’ve already had a run (in theaters or in other festivals) they can still participate, but only with a completely new cast and crew and if it run no after 2012.

As soon as your play is accepted, you will be sent the festival guidelines.

All plays will be given a three-performance run at the theater.

Submissions must be between 30 and 90 minutes long.

Each applicant is fully responsible for all elements of their production. These include directing, casting, stage-managing.

There is no fee to submit your play to the Griot Festival.

Once you are accepted, you will be asked send in a $200 fee to participate to the festival. if your play is Non Union
If your play Is Equity, then you need to send a check for $500 which will entitle you to receive 50% off of all box office tickets.

No more hidden and surprising costs.

Again, there is no submission fee. Only those plays that are accepted will be required to send in participant payment.

Submissions will be accepted until December 24, 2014.

Send to:

Thursday, November 20, 2014

Village Playwrights seek 10-minute plays

The Village Playwrights is accepting 10 minute plays from Metro NYC playwrights only for “Triangles and Squares: LGBTQ Relationships and Romance,” a staged reading of 8 short plays on February 11, 2015 at the LGBT Community Center, 208 W. 13th St., NYC to celebrate the Valentine’s holiday.

1.  Scripts should about LGBTQ relationships or romance
2.  Playwrights must be from the metro NYC area
3.  Scripts must be 10 minutes or under
4.  Deadline for submission is 5 pm, Friday, January 9, 2015
5.  Plays will be minimally staged
6.  Playwrights may choose to self-produce (cast and rehearse)
7.  There is no submission fee

To Submit:
Email your 10 minute script to

Please write your play title on subject line of email

Producer seeks playwright

Producer seeks playwright to collaborate on an innovative immersive theatre piece currently in development. 

The conceptual storyline follows a young protagonist who begins to envision and embrace a fictional ‘dream world’ following a traumatic event in their life. The dream world is the focus of the piece and will feature visually stunning technical elements, including ‘black-light’ lighting combined with black-light reactive scenic design and costuming. The producer seeks a playwright with a youthful yet authentic voice with an interest in immersive theatre to work on developing a storyline and dialogue. 

Limited compensation may be available during development and will be discussed and mutually agreed upon before work will be expected to begin. Writer will maintain co-ownership of the piece. Interested parties should send an email with subject line "Collaboration inquiry" with a description of their theatrical experience, brief writing sample (if available) and contact information. Producer will arrange to meet in-person to discuss the project further.

New American Theater Spring One-Act Festival

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Full production of the play in Los Angeles produced by The New American Theatre at the Odyssey Theatre. Performance of the piece will be under the supervision of Jack Stehlin, utilizing the talents of the acting company of the New American Theatre.

All playwrights whose work makes it to the level of semi-finalist will be given first consideration for any full-length work they may have to be included in the New American Theatre Full-Length reading series, which takes place in January and February.

One act plays which have not been previously produced in Los Angeles, CA (plays with simple staging requirement s are favored). Running time must be twenty-five minutes or less.

You will receive e-mail confirmation of the submission of your work at the time of submission. Further notification will only be given to semifinalists.

No subject restrictions, no fee

Please submit full script as an e-mail attachment. No contact information should be on the script itself. Body of the e-mail should include title of the work, author’s name, address and contact information. All submissions should go to the New American Theatre Literary Coordinator, Joe Bays at

Please put ONE ACT PLAY SUBMISSION in the subject line. Snail mail submissions are also accepted. Please send your material to The New American Theatre. PO Box 586, Culver City, CA 90232, ATTN one-act competition.

Deadline February 28, 2015

The New American Theatre

The New American Theatre (formerly Circus Theatricals) is a critically-acclaimed actor-led theatre company best known for producing classic plays as well as exploring and supporting new and challenging work in the American theatre. The New American Theatre is dedicated to the support and growth of all artists who participate in the collective imagination that is theatre.

Named by CBS Los Angeles as one of the top five 99-seat theatre’s in Los Angeles, The New American Theatre (formerly Circus Theatricals) has also enjoyed critical acclaim, awards and nominations from the Los Angeles Times, LA Drama Critics Circle, Back Stage West, LA Weekly, LA Stage Alliance Ovations, and many others. Please visit our website for more information:
Questions? Email:

Indie Boots Theatre Festival

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Regular Deadline: December 15, 2015,
Late Deadline: January 15, 2015

Indie Boots is currently accepting short play submissions for the third annual festival. All plays must use the word "Ella" in the title of the piece. Plays under 10 minutes, comedies, and plays featuring underrepresented characters (women, LGBTQ characters, etc) are highly encouraged. The finalists will be performed this spring in Chicago, IL as part of Indie Boots Theatre Festival 2015: The Ella Plays. An audience award (and cash!) will be presented to one play. Casts may be as large as 10 actors or as small as 2 actors (casts of 3-5 are encouraged). Writers may submit more than one script. To submit, please visit

Indie Boots Chicago, IL

Wednesday, November 19, 2014

Heartland Theatre Company is seeking ten-minute plays

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Heartland Theatre Company is seeking eight short original plays to be considered for production in June of 2015 as part of our 14th annual 10-minute play festival. This year, the theme is CLASS REUNION.

The competition is open to all playwrights who wish to submit a play. Eight plays will be selected and performed from among all the submissions


1. Your play must fit the theme – CLASS REUNION – or it will not be considered.
2. Your play must fit our theater and its performance space.
3. We require internet submissions in MS Word. Please note that we do not accept pdfs.
4. When formatting your play, we ask that you follow our style sheet.
5. We are looking for NEW plays. Please do not send us anything that has previously been produced.
6. Your play may contain no more than four (4) characters and no less than two (2).
7. Heartland Theatre Company has a pool of actors ranging in age from 18 to 70. Make sure that your characters can be played by actors within that range.
8. Your play should consist mainly of dialogue, not monologues. Please note that our requirement for dialogue also means mimed or mute plays are not what we are looking for.
9. No children’s plays, musicals, or plays which were previously chosen as winners in any Heartland Theatre playwriting competition will be considered.
10. Do not put your name on the play itself, as submissions are judged blind. Make sure your title appears on every page of the play, however.
11. If your play cannot be considered for any reason, we will notify you as soon as possible. If, in the judges’ opinion, the problem is easily fixable and the play otherwise has merit, we may ask you for revisions. Asking for revisions is completely up to the judges and depends a great deal on timing. No plays submitted after January 1 will be considered for revisions.
12. Those plays which win and are staged will be videotaped for archival purposes.
13. No contracts beyond the guidelines mentioned here will be offered.
14. Only one entry will be accepted from each playwright.
15. Your play must be written in English.
16. Keep your play under ten minutes in length.
17. Remember that something has to happen in those ten minutes.
All entrants must complete and submit
Heartland Theatre 10-Minute Play Entry Form.

You must attach your script in MS Word format when you send the entry form.

***Deadline for entries considered for revisions is January 1, 2015. If you want the opportunity to do revisions, your play must be entered by January 1.***

Finalists will be notified approximately March 15.

Winners will be announced approximately April 10.
If you have any questions, please email

Stage Left Theater call for 1-minute scripts

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Stage Left Theater, of Spokane, WA, is pleased to announce its call for 1-minute scripts for Fast & Furious, a staged reading of really short plays, in February 2015.
*What? 1-minute plays (2 page maximum for dialogues, 1 page maximum for monologues)
*One script only.
*All genres welcome (no children’s plays or musicals)
*Playwrights can be from anywhere, but plays must be in English.
*Standard play format preferred.
*There are no restrictions on content, but our audiences prefer more PG-13 fare.
*Cast size, no restrictions
*Deadline: Dec. 1, 2014
Notification: January

Submission procedure:
1. Send the full script with your contact information, a character breakdown, and a short bio. Include all the information in one document. The document should be labeled the play’s name_your last name (i.e. Hamlet_Shakespeare).
2. E-mail your script as a Microsoft Word document or PDF to The subject line should include your name and the title of the play.
3. Include your name and email address in the body of your email.

Fee? None. No payment to writers as this is an all-volunteer event.

Questions? Contact Fast & Furious coordinator Sandra Hosking at

Thank you and we look forward to reading your work.

Tuesday, November 18, 2014

Testimonial from Rich Orloff

Thanks to Rich Orloff for his kind words about this site.
"NYC Playwrights has become my go-to site for learning about the latest opportunities for playwrights... THANK YOU for all the great opportunities you've posted over the years."
More about Rich Orloff and his work.

Winter/Spring Play Development Series

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Manhattan Repertory Theatre is seeking new, never produced before plays  (40 minutes - 120 minutes) for our WINTER/SPRING (February - April) season as part of our new PLAY DEVELOPMENT SERIES

Bring your never produced before play to life at Manhattan Rep for a minimum of two performances!

Our Play Development Series includes:
2 performances at Manhattan Rep this Winter/Spring (more if you play is selling well.)
Over 12 hours of rehearsal time on the Manhattan Rep stage
3 hours tech, 3 hours Dress rehearsal, and 6 hours of straight rehearsal time in the theatre
Weekly development discussions if you wish with Artistic Director Ken Wolf, with help with casting, direction, the best way to set up a production from the start, how to make important cuts to your play, how to better structure your play, team building and more.

If you have written a play and you feel you want some support developing it and bringing it to production, as opposed to being flung onto the stage like at so many NYC festivals, our play development series is for you!

There is no cost for our Play Development Series, but there is a $300 refundable security deposit which secures the space from damage, and secures an average of 13 audience members per performance for a total of 26 over two performances.

Our Play Development Series at Manhattan Rep is by invitation only.

To submit for our Play Development Series please email:

A brief introduction with detailed information about yourself and your work, the complete first rehearsal draft of your play a synopsis of the play, the running time of the play, the set and lighting requirements, the playʼs history, (readings, when it was written, etc etc.) your mailing address, and a creative team leader contact email address to:
as soon as possible (for we are accepting candidates now.)

Please put "PLAY DEVELOPMENT SERIES" in the subject heading.

You will be considered on a first - come first-served basis.

The earlier you submit, the better your chances of being accepted into the series. If we fill up all production development positions early on, we will end submissions. Once submitted, we will get back to you within one week as to your acceptance.

There is no submission fee.


For more information on all of our new development programs, log on to

If you have any questions about anything in reference to our new play development series, feel free to write us at:

The Ruby Prize

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Southern Rep is pleased to announce that it will accept submissions for The Ruby Prize, effective immediately. The $10,000 annual award is named in honor of Ruby Bridges, who showed incredible perseverance in the face of formidable obstacles. The Ruby Prize seeks to support women playwrights of color whose work expands the reach of American theatre in the face of formidable obstacles.

In partnership with Hedgebrook, winners will receive a ten-day writer’s residency in addition to a cash prize.

This program is a part of Southern Rep’s ongoing effort to develop new American plays, support a diverse community of artists, and incite meaningful dialogue within the community.
$10,000 prize
A development workshop during Southern Rep’s 2015 New Play Bacchanal
A sponsored trip to New York, including round-trip air and lodging accommodations, to continue development of the play and introduce the new work to a larger audience
A ten-day writing residency at Hedgebrook. Located on beautiful Whidbey Island near Seattle, Hedgebrook offers one of the few residency programs in the world exclusively dedicated to supporting the creative process of women writers. Through innovative public programs, Hedgebrook enables women’s work to enrich the global community by diversity: of culture nationality, voice, genre, generation, perspective, religious beliefs and political affiliations
Two finalists will be selected to have their works read at Southern Rep’s 2015 New Play Bacchanal in New Orleans.

The contest will be open to US citizens who self-identify as women of color, and may be either emerging or established playwrights.
Southern Rep’s in-house readers will review and evaluate scripts, selecting finalists that will be move into the next round of judging. The final panel consists of national and local theatre artists as well as Southern Rep’s Producing Artistic Director, Aimée Hayes.
Plays must be full-length, and written by a single author. We will not accept collaborative scripts, translations, musicals, one-acts, or any play previously submitted to Southern Rep’s Ruby Prize.
Plays that have had a professional production, or have been written under a commission, are not eligible for submission. Plays that have received a development workshop, readings, or nonprofessional production are eligible. “Professional production” shall be defined as a production with paid actors and had an official press opening.
If selected as a Prize Winner or Finalist, playwright agrees that Southern Rep may include the play in an annual Ruby Prize publication. The publication will not require any exclusive rights for printing.
Only one submission per playwright is allowed.
The top prize includes round-trip airfare and lodging accommodations to New York city, and lodging accommodations at Hedgebrook (airfare to Hedgebrook not included). The finalists will receive round-trip air and lodging accommodations to attend the award ceremony, there is no other cash award associated with the selection of finalists.

Each submission must include a synopsis, character breakdown, brief playwright bio, and history of the play’s development if applicable.
Each submission must also include a title page containing the playwright’s name, address, and contact information. This information may ONLY appear on the title page.
Plays must be submitted by email, as a single attached document, in PDF format to
Please name files as “Last Name, First Name, Title of Play” Ex: “Lee, Kimber, brownsville song”.
Hard copies of scripts will not be accepted.
Due to anticipated number of submissions, we regret that individual feedback will not be available to submitting playwrights.
Materials must be received by November 25 for consideration for The 2015 Ruby Prize.

Monday, November 17, 2014

Last Frontier Theatre Conference seeks plays

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The submission deadline for the 2015 Play Lab is November 24th, 2014. 

Selections will be announced Feb 16th, 2015. 

Accepted authors must attend the Theatre Conference in Valdez, Alaska, scheduled June 14-20, 2015. 
  • Other submission guidelines:
  • One submission per author.
  • Play should not have received a professional production.
  • Play should run between 20 and 120 minutes.
  • We do not accept musicals.
Contact Conference Coordinator Dawson Moore ( with any questions about submissions.

Y2E is currently accepting play script submissions for the upcoming 2015 season

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NOTE:  Submission fees are waived for All NYCPlaywrights Members and anyone that submits via the NYCPlaywrights site.

Simply follow the submission guidelines on our website. When you submit your play add NYCPlaywright to the subject line. Please do follow the submission guidelines and requirements for submission. Only the fee is waived.

Submission Deadline: December 28th, 2014
  • Topic must be political/ controversial issues that are present in today's society
  • Maximum of 6 characters total
  • Maximum of 1hr. 45 minutes in length (105 pgs.)
Email your submission documents

We are seeking new, strong, controversial plays about current events or subject matters. (Eg: the first black president, stop and frisk, stand your ground, Mike Brown, health care, immigration, economy, justice/prison system,etc).

If you are a playwright that also directs and your play follows our submission guidelines, submit your play today. We will be accepting 6 winning plays into our 2015 season. A stipend will be awarded to the winners.

You may review our Submission Fees/ Guidelines/ and Criteria here:!theatre/cj42

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Sunday, November 16, 2014

Kitchen Dog Theater New Works Festival Script Submission

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Scripts must be received by January 1, 2015 to be considered for the 2015 Festival.

Each year, Kitchen Dog Theater selects one original script to receive:
* A fully staged production (as part of our regular season – a six-week run)
* Paid travel to Dallas, TX (if necessary) to work with the Director, Cast and Crew
* Royalty stipend (amount TBD)

Six other original scripts will be selected to receive:
*A staged reading (as part of our New Works Festival)
*Each selected playwright will receive a honorarium. Travel not included.

Prospective scripts must meet the following guidelines:
* Full-length plays only (preferably one hour or longer)
* Submitted scripts must be type-written
* Completed scripts only
* Do not include a synopsis and/or reviews (if any) of the play
* Ideally have between one and five actors (character doubling acceptable)
* There are no restrictions on play content.
* Only ONE script per playwright may be submitted.

All unproduced scripts will be recycled.

Please send your script with cover letter to:
Attn: Tina Parker, Co-Artistic Director
Kitchen Dog Theater
3120 McKinney Avenue, Ste. 100
Dallas, TX 75204.


DEADLINE for 2015 New Works Festival: RECEIVED BY JANUARY 1, 2015

EAST VILLAGE CHRONICLES Seeking new plays inspired by the life and lore of the East Village/Lower East Side

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Submissions Accepted through November 28th, 2014 for
Metropolitan Playhouse's Annual New Short Play Festival

Theme: Progress

Metropolitan Playhouse, New York's OBIE Award-winning explorer of America's theatrical heritage, is currently accepting submissions for new plays inspired by the life and history of New York's East Village/Lower East Side. 

PLEASE NOTE: Plays must relate specifically to the East Village/Lower East Side. Those that do not will not be considered.  Additionally, plays should address notions of Progress, whatever form the playwright chooses, as it relates to life in the East Village of today and in eras past.

Plays should be of up to 30 minutes in length, and able to be performed by no more than 5 actors. 

Metropolitan will cast and stage the productions on its 3/4 thrust stage in our 51 seat theater at 220 E 4th Street, as part of the 5th Annual East Village Theater Festival, scheduled to run from April 6th-26th, 2015.

Playwrights of selected plays will receive and honorarium of $50.00.

Completed scripts must be RECEIVED, by mail or e-mail, by 5:00 pm Friday, November 28th, 2014.

Metropolitan Playhouse
220 E 4th Street
New York, NY 10009

East Village Chronicles, Vol. 11 is the theater's 11th festival of new, one-act plays that celebrate and explore the varied history and eclectic culture that have defined Manhattan's Lower East Side (within any of its disputed borders.)  Presented in two, distinct evenings of short plays, which run on alternating nights over three weeks, the presentations will include a variety of styles and tones, unified by their being clearly related to life in the theater's neighborhood.

For further information, visit

Saturday, November 15, 2014

The Theater Project Soliciting Short Plays for Competition

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The Theater Project of Maplewood, NJ, an award-winning, professional theater, is now soliciting short plays for “Think Fast,” its second-annual one-act competition February 12-15, 2015. The contest is open to playwrights in the New Jersey-New York area.


WHO WE ARE: The Theater Project, a professional theater company based in Maplewood, NJ, began in 1994 with the goal of bringing the best contemporary plays to our community.

HOW TO SUBMIT: Electronic submissions only. E-mail your short play to Include in the Subject line: “Submission + The Title of Your Play.”

WHAT TO SUBMIT: Plays can be either dramas or comedies but must be no more than 15 minutes running time. This restriction is absolute and plays that exceed 15 minutes will not be considered. Sets, lighting and sound requirements must be simple. No elaborate props or effects. Plays invited to participate must be ready-to-perform and supply their own actors and directors. There is no fee to submit. Those selected for participation will be charged a $200 fee to cover expenses (venue, stage manager, lighting/sound director)

STATEMENT: Email submissions must contain this sentence in the body of the email: “If my play is accepted and I choose to take part in the festival, I understand that I will be responsible for the casting and rehearsal of my play and that I will be charged a $200 participation fee.

WHAT WE SUPPLY: The Theater Project will supply the venue (The Burgdorff Center for the Performing Arts in Maplewood, NJ), a stage manager and a lighting/sound director. Individual productions supply the actors, directors and make their own agreements with actors/directors regarding compensation.

JUDGES: All plays are guaranteed two (2) performances. If a play progresses to the “final” round on Sunday, February 15, that play will have a third performance. Plays progress through audience vote. On Sunday, February 15, a panel of judges will award the “Judges Choice” award and there will also be an “Audience Choice” award.

WHAT’S IN IT FOR YOU: The Theater Project will publicize the festival and the “Judges’ Choice” winner for Best Play will receive a $500 prize.



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The producers of PLAYING SHORTLY: SHORT PLAYS ON THE RADIO are seeking stage plays of 10 minutes or less for a series of upcoming radio programs on National Public Radio affiliate KUSU, with potential for wider regional or national broadcast. The initial four programs will be recorded in front of a live audience and then broadcast to a region of over 3 million people. The show will include actors reading new short American stage plays over the radio. Submission info is as follows:

1. Plays must be 10 minutes or less including stage directions.
2. Written by American playwrights.
3. First 300 submissions will be considered.
4. Maximum 2 submissions per playwright.
5. Plays must be written within the past five years and unpublished.
6. Include character descriptions and have no more than 5 characters.
7. Include brief synopsis of play (100 words or less).
8. Selected plays will receive $100 honorarium in lieu of royalties.
9. Plays must be allowable on the radio.
10. Selected playwrights may be interviewed for the program.
11. Playwrights will receive a recording of the broadcast.
12. DEADLINE FOR SUBMISSION is December 15, 2014.
13. Email Submissions to (Subject line “Submission – [your name]”)

Due to the high number of submissions, PLAYING SHORTLY staff cannot provide feedback for plays. It may take several months to select the final scripts. Please do not follow up regarding the selection process. We will notify the finalists by February 1, 2015. This program is being produced by the Fusion Theatre Project and Utah Public Radio. This company has a history of developing new work and has had original plays produced or had staged-readings in New York, Los Angeles and at various theatres around the country. PLAYING SHORTLY represents the newest endeavor, bringing original work by American playwrights to a broader audience.

Ruddy Productions is now accepting submissions of one-act & full-length plays

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Ruddy Productions is now accepting submissions of one-act & full-length plays to be developed during our monthly reading series. Our main objective with the reading series is to build collaborative relationships with NYC writers and to potentially develop the new work from the reading for our first full season beginning in September 2015.
  • Playwrights must be based in NYC and must have had at least one play previously produced.
  • Characters must be primarily in the age range of 20s-30s and should feature female and male roles equally, or lean female.
  • Plays should run 30min-100min and no longer.
  • Along with your play, please include full character breakdowns as well as a brief synopsis & short description of yourself along with your résumé.
  • All submissions should be emailed to with the title of the play & the writers name in the subject line.

Ruddy Productions Mission Statement

Ruddy Productions is a company of emerging NYC artists committed to utilizing the creative process for inspiring, nurturing, and empowering artists. We are a company of intensely trained actors striving to be first-rate artists, eternally committed to our craft and to truthfully examine the human experience. We are eager to create new opportunities for like minded artists, in order to encourage and feature their talents and artistry. Our company is dedicated to fostering an environment of collaboration and community, which we believe will translate into authentic, captivating experiences for our audiences.

For more information about our company please visit our

18th Annual Black Box New Play Festival

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The Gallery Players, Brooklyn’s premier, award-winning Off-Off Broadway theatre, is seeking plays for its 18th Annual Black Box New Play Festival to be held in June, 2015. Each play selected will be given a Black Box production at Gallery Players and will be performed in a festival format with non-equity actors. Playwrights must be available for rehearsals and use this as an opportunity to continue work on their play. We are particularly interested in shorter pieces.

Submission guidelines:

1. Plays must be un-produced (readings are o.k.)

2. Length may be from 10 minutes to full-length.

3. Playwrights may not direct their own work.

4. The deadline for submission is December 31st 2014
5. Please mail two copies of your play, a plot synopsis and a resume to:

Gallery Players
Black Box New Play Festival
199 14th Street
Brooklyn N.Y. 11215

We will only contact you if your play has been accepted into the festival. If you wish to receive confirmation that your play was received by us, please include a stamped, self-addressed postcard. If you wish to have your plays returned, please include a stamped, self-addressed envelope.

Sundog Theatre seeks full-length plays

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Sundog Theatre prides itself on being a home to original works. Our doors (or P.O. Box) is always open to submissions. While we encourage that playwrights send us daring and innovative work, we do ask that all that all scripts have a maximum of 10 characters and minimal set changes - unless they are suggested changes, not full-on sets. 

Plays can be of any genre, but since we cater to a broad audience, please do not send anything with gratuitous sex, violence, or language.
Send hard copy scripts to:
Sundog Theatre
c/o Eric Petillo
PO Box 183
Staten Island, NY 10301-0183

The Mountain Playhouse International Playwriting Contest

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The Mountain Playhouse International Playwriting Contest is an annual event with the deadline of December 31st each year.

The submission deadline for the 2015 Playwriting Contest is December 31st, 2014. Mountain Playhouse will stage a public reading of the winning play before the end of 2015, and the author will be awarded a cash prize of $1,000. In addition, should the Mountain Playhouse decide to present a live production of the play, the author will receive royalties.

To submit your entry, you will need to download the Playwriting Contest Agreement, print and sign it, then mail your play with the agreement to 7690 Somerset Pike, P.O. Box 205, Jennerstown, PA 15547.

If you wish to have your script returned after the contest is over, you must enclose a self-addressed envelope with sufficient postage to cover the return.

Type your title and name on the top sheet and do not have your name on the body of the play.

If you include a synopsis, keep it on a separate sheet from the play.

Include a list of characters and, if necessary, explain how 8 actors could perform the show.

Send a loose leaf copy held together by a single binder clip. Single or double sided is your choice, but don't waste time or effort to bind the play any other way as we will take that binding apart when we receive it anyway.

If you are sending your script from an overseas country, please send me an email for special instructions.

Don't forget to download, sign and include the agreement with your play.

Friday, November 14, 2014

3rd Annual New Works Festival

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Fantasic.Z Theatre Company is excited to announce its 3rd Annual New Works Festival and we are currently looking for submissions. This event offers playwrights a new audience for their works; a safe space for introducing them to the local arts community. There will be four nights of performances, featuring one night with a talkback, where selected writers get an opportunity to discuss their work, and their process with Z's audience.

Where and when?

This year our festival is held February 24-28, 2015, and we will be returning to the Rendezvous' Jewelbox Theater.


-Submissions are due: Thursday, November 27, 2014

- Less than 20 minutes long

- Speaks to the theme "Truth and Consequence"

We are always interested in reading unique and evocative interpretations of our themes.

Send all submissions and questions to:

The LSU Department of Theatre presents Outworks 2015, a festival of one-act plays with LGBTQ themes

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Deadline for Submission: November 17, 2015 

Award: $150 and production videotape

The Louisiana State University Department of Theatre in Baton Rouge, Louisiana, is pleased to announce that we are now accepting submissions for our 10th annual Outworks festival. A part of the LSU Theatre Lab Season, Outworks 2015 continues our commitment to producing new one-act plays that explore topics in lesbian, gay, bisexual, transgendered or queer (LGBTQ) experiences.

To celebrate this special anniversary of a decade of new LGBTQ theatre, your task is to submit an original ten minute play that incorporates any variation on the theme of the number ten (10). Some superstring theories cite the existence of ten spacetime dimensions. Hindu and Judeo-Christian religions find great significance in the number ten in teaching spiritual lessons. The number ten is both an anchor and a way to see what comes next, particularly in mathematics. It is linked to change, energy, and manifestation in numerology. Music, sports and finance use tens for chords, scoring, and accounting. For our tenth year anniversary we are asking that your submissions reflect on any variation of the number ten (10) as we at Outworks 2015 are looking forward to the next ten years and beyond of LGBTQ dramatic works.

Outworks 2015 Submission Guidelines:
● Submissions must be the author's own original, unpublished work. Each

entry shall be free from copyright restrictions and the author agrees to hold LSU, its officers, and directors free and harmless from all copyright claims.

● We are accepting one-act plays, ten (10) to twenty (20) minutes in length. ● Scripts must be LGBTQ-themed, reflecting the 2015 festival theme of the

number ten.
● Only one (1) script may be submitted per playwright.
● Title page must be in same document as the play script.
● All submission must be sent, formatted for Microsoft Word or as a PDF, via e-mail to with the phrase Outworks 2015 with your last name (e.g., Outworks 2015 Doe) in the subject line.

● Deadline is November 17, 2015 at 5:00 PM.
● Scheduled production dates are April 28 - May 3, 2015.

Submissions will be read and scored by a faculty/student committee. The committee will select six plays. These playwrights will receive $150 in monetary compensation, each play selected will be guaranteed three staged performances, and each playwright will receive a video of his/her production. Playwrights wishing to attend the festival are responsible for all travel expenses.

The LSU Theatre Lab season retains all rights and privileges concerning casting, production, and programming for Outworks. LSU Theatre reserves the right to:

● Reproduce as many copies of the play as are necessary for distribution to the judges and participants in the production.

● Videotape the performance for archival purposes.
● Use the title, author's name and images from the production for publicity purposes related to the Outworks Festival.

The final play list will be announced January 2015 on the LSU Theatre Department website. Those playwrights will also be notified individually.
Please send any inquiries to

Thank you for celebrating 10 years of Outworks with us! Alexis M. Skinner, Outworks Festival Coordinator

About the LSU Theatre Lab Season:

The LSU Theatre Lab season, produced by the Louisiana State University Department of Theatre, offers audiences an “alternative” theatrical experience. Providing a diverse and exciting schedule, the LSU Theatre Lab Season highlights the tremendous talents of the LSU graduate and undergraduate students (B.A., M.F.A., and Ph.D.) both on and behind the stage.

The Writer's Monthly Review Magazine submission guidelines

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Submissions must follow standard manuscript format. List your full name, address, telephone and email address on the front page of each manuscript.

Features - Instructive or motivational articles for writers, especially how-to-write or how-to-sell to specific market areas. Length should be 1,500 to 1,800 words; submit full manuscript. Also needed: interviews with editors of freelancer-friendly publications.

End Piece - A strong, thoughtful, first-person essay of 550 to 1000 words, related to writing. May be humorous, motivational or philosophical.

Departments - First $ale carries 250-500 word accounts of a writer's first sale. Writing-related humor of 50 to 500 words.

Markets Column: We are looking for a regular columnist who can provide our readers with new markets every month. Columns must be between 1500-2000 words with several market listings accepting freelance material.

Writer's Contests, Conferences & Workshops: We are looking for a regular columnist who can provide our readers with updated information on contests, conferences and workshops every month. Columns must be between 1500-2000 words with several market listings accepting freelance material.

Poetry - We look for well-crafted poetry in any style and on the subject of writing. Due to space limitations, we generally only accept shorter poems of 20 lines or less. Slight preference for topics related to writing, the creative process, famous poets or writers, the use or power of language, and for seasonal topics.

Poetry-related features should be about the elements of craft, marketing, form poetry, poetics, or the influence of specific poets. 1500-1800 words. Poetry Book Reviews should be thoughtful, well-written reviews on books about writing, reading, or marketing poetry. Reviewed books must be helpful tools for the writing poet, such as books on form, poetics or the elements of craft. 500 words.

We do not pay at this time. All accepted submissions will receive one copy of the magazine in which the submission appears.

Contact Marcella Simmons, Editor, at for further information.

Free theater in NYC - Fragments by Geraldine Inoa

Fragments is a play in development about three African American patients in a psychiatric ward. Each character reveals the anguish and devastation that brought them to the hospital. The stories they share are desperate attempts to reclaim their existence and cope with their suffering. The characters question the value of psychiatric care and engage in discussions that provide insight into the lives of those who suffer from mental illness.

Tickets are free and can be reserved here

The staged reading is on Saturday, November 15th from 7:00pm-10:00pm. The reading will take place at Shetler Studios: 244 W 54th St, New York, NY 10019 in Penthouse #1. Following the reading is a talkback with the playwright, the actors, and the director. It's an opportunity to support a work in development by offering your impressions, insights, and constructive criticism. 

For more information, please email: 

Fragments is a play in development about three African American patients in a psychiatric ward. Each character reveals the anguish and devastation that brought them to the hospital. The stories they share are desperate attempts to reclaim their existence and cope with their suffering. The characters question the value of psychiatric care and engage in discussions that provide insight into the lives of those who suffer from mental illness.

Tickets are free and can be reserved here

The staged reading is on Saturday, November 15th from 7:00pm-10:00pm. The reading will take place at Shetler Studios: 244 W 54th St, New York, NY 10019 in Penthouse #1. Following the reading is a talkback with the playwright, the actors, and the director. It's an opportunity to support a work in development by offering your impressions, insights, and constructive criticism. 

For more information, please email: 

Think Fast: Theater Project’s One-Act Competition

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The Theater Project of Maplewood, NJ, an award-winning, professional theater, is now soliciting short plays for “Think Fast,” its second-annual one-act competition February 12-15, 2015. The contest is open to playwrights in the New Jersey-New York area.


WHO WE ARE: The Theater Project, a professional theater company based in Maplewood, NJ, began in 1994 with the goal of bringing the best contemporary plays to our community.

HOW TO SUBMIT: Electronic submissions only. E-mail your short play to
Include in the Subject line: “Submission + The Title of Your Play.”

WHAT TO SUBMIT: Plays can be either dramas or comedies but must be no more than 15 minutes running time. This restriction is absolute and plays that exceed 15 minutes will not be considered. Sets, lighting and sound requirements must be simple. No elaborate props or effects. Plays invited to participate must be ready-to-perform and supply their own actors and directors. There is no fee to submit. Those selected for participation will be charged a $200 fee to cover expenses (venue, stage manager, lighting/sound director)

STATEMENT: Email submissions must contain this sentence in the body of the email: “If my play is accepted and I choose to take part in the festival, I understand that I will be responsible for the casting and rehearsal of my play and that I will be charged a $200 participation fee.”

WHAT WE SUPPLY: The Theater Project will supply the venue (The Burgdorff Center for the Performing Arts in Maplewood, NJ), a stage manager and a lighting/sound director. Individual productions supply the actors, directors and make their own agreements with actors/directors regarding compensation.

JUDGES: All plays are guaranteed two (2) performances. If a play progresses to the “final” round on Sunday, February 15, that play will have a third performance. Plays progress through audience vote. On Sunday, February 15, a panel of judges will award the “Judges Choice” award and there will also be an “Audience Choice” award.

WHAT’S IN IT FOR YOU: The Theater Project will publicize the festival and the “Judges’ Choice” winner for Best Play will receive a $500 prize.

Clockhouse seeks works for publication

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CLOCKHOUSE, the literary magazine published in partnership with Goddard College, seeks short dramatic works from emerging and established playwrights for its 2015 issue. Dramatic works can be either a standalone piece or a self-contained excerpt from a play or screenplay, and up to 15 pages in length.

CLOCKHOUSE is devoted to a variety of genres, publishing fiction, poetry, memoir, creative nonfiction, as well as dramatic work. Our mission: Dare. Risk. Dream. Share. Ruminate. How do we understand our place in the world, our responsibility to it, and our responsibility to each other? CLOCKHOUSE is an eclectic conversation about the work-in-progress of life—a soul arousal, a testing ground, a new community, a call for change. Join in.

Deadline is December 1.

For submission guidelines and to submit your work, visit


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Calling all Latino Playwrights to submit to Desde El Puente, Raíces Theatre Company’s 1st Annual One Act Play Festival. Ten plays will be chosen to have a 4 day run from June 11 to June 14 2015 in Buffalo, NY.

Please read our submissions guidelines carefully. Submissions that do not follow our guidelines will not be taken seriously.

Playwrights: May submit a maximum of 2 One Act Plays no longer than 10 minutes, if you find yourselves with more than 10 pages on hand ( or less) please read it aloud and time it.

 All plays must have a cast no larger than 6 characters and minimal set requirements as there is no time for elaborate set changes. 

All plays must deal with subject matter that relates to the Latino culture. 

If selected your play will be cast, produced and directed by Raíces Theatre Company. 

All plays will run every night. 

Selected plays will receive at $20 royalty. 

Please email your submissions to play to in standard format WORD or PDF. 

Subject line should have your name and title of the play. 
Body of email should contain your contact information (name, mailing address, telephone number and email)

Deadlines: All submissions must have arrived before December 31st, 2014.

An email confirmation will be sent to you when we receive your play. If we select your play for the festival we will notify you no later than April 31st, 2015. 

Please do not email us asking for status, if you are selected you will be notified. Please note that Plays will be read as they come so the earlier you submit your play the better, once we have 10 that we like we reserve the right to close the submissions before the dateline.

We look forward to reading your work!

Thursday, November 13, 2014


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With its roots in the McCarthy Era Blacklisiting, Will Geer’s Theatricum Botanicum has provided a home in Southern California for professional Shakespeare and the classics in its scenic, outdoor amphitheatre in rustic Topanga Canyon for over 40 years.

Theatricum is also committed to furthering new works and new voices in theatre through Botanicum Seedlings. Playwrights are invited to submit samples of full length works of any genre for this development series, which acts as an adjunct to Theatricum’s Summer Repertory Season.

The submission window is September 1 - December 1 annually. Works received during this period will be considered for development and production during the following year.

Opportunities through Botanicum Seedlings include Playreadings, Play Festivals, private GreenReads (for a fresh look at early drafts) and Playwrights Workshops culminating in developmental GreenReads. Since its creation in 2002, the
program has supported well over 100 new plays.
The goals of Botanicum Seedlings are:
 to maintain focus on the needs of the playwright in regard to a play’s growth;
 to foster relationships with emerging playwrights around the globe;
 to act as an advocate whenever appropriate in recommending plays to other companies;
 to establish Theatricum Botanicum as a guiding force in the development of original material; and
 to provide a nurturing environment in which Theatricum company members can expand and stretch in new directions as actors as well as directors, writers and dramaturgs.

For consideration, please keep in mind that Theatricum encourages provocative, political and socially relevant material, and prefers works that are uniquely theatrical and character-driven. Although the company is classically based, Seedlings
is by no means traditional in its sensibilities and is not looking for classical translations or adaptations unless they are highly original. Nor are we interested in scripts which might be better suited to film or television.
In addition, Botanicum Seedlings is committed to gender parity, with a goal of 50% or more women playwrights and directors involved in its public readings.

Submissions may also be considered for production as part of Theatricum Botanicum’s Summer Repertory Season.

Please note that the theatre very rarely includes new works in its season; both of our performance spaces are outdoor amphitheatres in a natural setting.

From September 1 - December 1, we accept electronic submissions of 10-15 page dialogue samples from full length plays (sorry, no queries for one-acts or short plays) accompanied by playwright’s bio and play history as MS Doc
or PDF attachments sent to (Only one play per year, please!)

If electronic submission is not possible, send complete plays, musicals and accompanying materials to
Botanicum Seedlings
c/o Will Geer’s Theatricum Botanicum,
P.O. Box 1222
Topanga, CA 90290. 
All materials will be recycled unless special arrangements are made beyond including an SASE.

Our goal is to acknowledge receipt of all submissions and queries. Please know that while we read and review all materials we receive, we are not able to personally follow up with every submission.

For more information on Seedlings writing workshops, private dramaturgy and other Theatricum events and programs,

visit or contact The business office can be reached at (310) 455-2322.

Thank you in advance for your submission, and for your patience if our response is delayed.

Jennie Webb Kimberly Shelby-Syszko
Seedlings Program Director Seedlings Literary Manager

Wednesday, November 12, 2014

Live Girls! Theater Quickies

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We are currently seeking submissions of 10-minute plays written by women for our 16th annual festival of short plays, Quickies. The deadline for submissions is DECEMBER 15, 2014.

Email submissions only. Please read the submission guidelines below carefully and follow the instructions!


Quickies is a Live Girls! trademark event and our longest running program. Our 16th installment of this short play event will include 7 short plays by women, as well as feature up and coming local directors and actors. This spring we will be working with the themes of “Risk” & “Reward.” Plays that fit with either or both of these themes in some way are highly encouraged, though not required. Quickies Volume 16 will be performed in association with Annex Theatre in June 2015.

New works are encouraged but submissions that have had previous productions outside of Seattle will be accepted.

Please send all submissions to
Themes for Quickies 16th edition are “Risk” & “Reward.” Plays that fit with either or both of these themes in some way are highly encouraged, though not required.
Playwrights may submit up to 3 short plays total. They should be close to a 10-minute running time.

In the body of your email please introduce yourself; we are always excited about meeting new playwrights! You should also include any previous production history for plays submitted. You may include a bio or resume if you like, but they are not required.
Deadline for submissions is December 15, 2014. Submissions will receive a reply no later than February 15, 2015.
Keep in mind we are a small theater taking the risk to produce new works, and we may not be able accommodate very large casts or long lists of tech requirements.
Plays submitted should be sent as attachments; MS Word is preferable (More compatible with e-readers) but PDFs are also accepted.

Welders 2.0

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The Welders are thrilled to announce that we are officially opening up the application process for Welders 2.0!

In selecting the next generation of Welders, we’re looking for playwrights who are deeply involved in their craft, willing and eager take on the tasks of producing five plays, and committed to developing, sustaining and passing on the organization to Welders 3.0. We are also seeking an executive and creative director ready and able to drive the collective creatively and with both intelligence and enthusiasm.

The Process

In selecting the next generation of artists to whom we’ll be giving the organization, The Welders have decided to assess groups of candidates, rather than individuals. Our decision stems from an appreciation of the fact that we had the luxury of forming our collective organically, building relationships with each other over time. With that fact in mind, we didn’t feel it would be appropriate to select six individuals and thrust them together as a group. We want to find people who, through their own relationships, already know they want to work as a team.

The following application is thus intended to be completed by five playwrights and one executive and creative directorcollaboratively. Although there are questions that each potential Welder will need to answer individually, many will need to be answered as a group as well. After reviewing applications, furthermore, we will be selecting the most promising groups to participate in an interview process as well. That process will be conducted collectively as well: we will interview potential groups as a whole, rather than speaking with members individually.

Please note that we are perfectly comfortable with artists choosing to apply as a member of more than one group. Collaboration takes multiple shapes and we don’t want to limit possibilities; we want to open them up. Our only restriction is that each group should consist of five playwrights or generative theater artists and one executive and creative director: six individuals in total. It is not possible, in our experience, to serve as both a playwright AND as The Welders’ executive and creative director; the labor would be too great. All we ask, for those who are applying as a member of more than one group, is for transparency: please let everyone you’re applying with know that you’re applying with others as well.

Applications for Welders 2.0 are due by December 1, 2014. 

We’ve allowed a significant amount of time because we understand that it may take a while for groups to form, let alone to complete the application. Our intent is to review and consider applications during December and January and then begin the interview process in February of 2015. The interview process may require two rounds; our goal is to complete that process and select a new group of Welders to join us for the final twelve months of our three-year run by May 15, 2015. Our hope that is a year of working by our sides—participating in our bi-weekly meetings, producing with us, and learning how we work—will prepare the new group to take the reins from us smoothly and powerfully.

If you have any questions about the application below, you can submit them electronically to Gwydion Suilebhan ( Answers to submitted questions—if they might be useful for all applicants—will be shared on our website as updates to this page. We, too, want to be as transparent as possible.

The Application

The Welders 2.0 application has three components: a series of questions, a skills checklist, and additional supporting material. Each component is described in detail below.
The Questions

First, please provide answers to the following in a single PDF or Word document:

1) The names and proposed positions of all six applicants.

2) Short descriptions of one potential project that each playwright or generative artist might work on. (These are not commitments; merely possibilities.) A paragraph will suffice, but more detail is also welcome.

3) A sample “Why I Want to Be a Welder” blog post—500-750 words in length—for each group member, including the executive and creative director. Sample blog posts are available here.

4) Responses to the following three questions, composed as a group:
The Welders place tremendous value on diversity. It’s built into our value system and it’s expressed at every level of the organization, from our Board of Directors to the artists we work with. Explain to us how your group, as it’s constituted, will continue or even build upon those values.
The Welders are a DC-centric organization. Although not all of us live in the district, DC is our community, and we consider it a core part of our mission to serve that community. How are you all, as artists, embedded within the city? What’s your relationship to being part of your community? How will your group embody this aspect of The Welders’ mission?
We’ve spent our first few years establishing an alternative platform for new play development and production, one that’s succeeded in a great many ways. We don’t, however, consider the work finished or perfected. We intend to hand The Welders off to a new generation with the full expectation that things will change. The organization will evolve. So… with that in mind, and given your understanding of The Welders as we are currently constituted, what ideas does your group have for doing what we do either differently or better?
Skills Checklist

In developing a detailed understanding of the skills and effort required to run The Welders, we have assembled a checklist of responsibilities that helps us keep track of our own work. With that in mind, please use the following list to indicate which one (or more) of your group’s members might have the necessary experience to manage the following organization responsibilities, as well as the source of that experience. (In most cases, a short sentence—or even a half-sentence—will suffice.) Your checklist should be included with your PDF containing answers to our questions.

Please note that we do NOT expect you to be able to cover ALL of the following items—we get help from outsiders and we see no reason why the next generation of Welders won’t do the same. We simply want to know what resources and abilities your group will bring to bear.

Marketing and Public Relations
Maintain the Welders’ website (in WordPress)
Solicit and edit blog posts
Manage the Welders’ social media presences (currently Facebook and Twitter)
Write and send press releases
Art direct Welders photo shoots and video trailers
Solicit press and media coverage, both locally and nationwide
Maintain a press contact list
Serve as theatreWashington liaison

Maintain a grant schedule
Write and submit grant proposals and grant reports
Pitch corporate donors
Maintain individual donor prospect lists
Set up and attend donor pitches
Plan friend-raiser events
Write donation thank you letters
Maintain relationships with funders and foundations
Plan and run annual fundraising events: The Weld and The Joint
Plan and run Board of Directors and Executive Committee meetings
Serve as Board secretary
Solicit Board members as necessary

Infrastructure and Financials
Maintain Google calendar, create Google + Hangouts, manage Google Drive
Create bi-weekly meeting agendas/take and distribute bi-weekly meeting notes
File Welders taxes
Maintain Welders budget and production budgets
Manage Welders bank accounts
Plan and run Advisory Council meetings
Plan and execute the search for Welders 3.0

Develop marketing reciprocity with other productions
Arrange opening and closing night parties
Set up talkbacks
Manage comp lists
Design, edit, and print programs
Art direct show image development
Create and implement marketing campaigns
Serve as casting director (arranging auditions, finding readers, etc.)
Contract with actors and designers
Find and contract with rehearsal and performance space
General production management

Please note, furthermore, that the above list of responsibilities does NOT constitute the entire organizational to-do list. It’s merely suggestive. Being a member of The Welders is, approximately, a half-time job, on average—and more than that at busy times—so those who are applying need to consider seriously whether they are willing to embrace the required effort.
Additional Materials

Finally, we would like you to submit (as separate documents) resumes or CVs for all six members of your potential group.

Thank you in advance for participating in what we hope will be an empowering hand-off to Welders 2.0! Finally: if you’d like to download a PDF version of this application, one is available here.

Tuesday, November 11, 2014

Discount tickets for NYCPlaywrights ~ THE PLACES YOU'LL GO

By Hila Ben Gera
An original new comedy with a lighthearted look at success, self-determination, fortune and mail!

Special $15 discount tickets for NYCPlaywrights for the Friday, November 14, 7:30PM show and the Saturday, November 15, 7:30 show.

Code:  NYCplaywrights 

(There is a limit of 10 tickets each night for the code)

For more info about the show

In The Places You’ll Go, two existential Postmen suddenly find there is something … missing. 
On their quest for definitions, they bump into characters who glow with achievement and ooze with advice. But solutions seem scarce. A woman on a parallel search for new places, places her hope in fortune cookie fortunes, which may be guiding her to nirvana. Or a breakdown. All seem to be desperately trying to invent and reinvent themselves to achieve… something. 
Wealth. Or happiness. 
Or something!

Jason Salmon*, Jamie Bennett*, Laura Hooper, Kate Taney, 
Joe Mullen and John Willam Short*
*appearing courtesy of Actors’ Equity Association

DIRECTOR/DRAMATURG: Erez Drigues (director of Repertory Theatre- Best Play at the Israeli Fringe Awards)

CREATIVE CONSULTANT: Jack Hofsiss (Tony Award winning director of The Elephant Man)

COMPOSER: Shai Fishman (composer of the Off Broadway show The Voca People)

SET DESIGNER: Nikolay Sviridchik   


PRODUCED BY Lama Theater Company


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Do you have a sizzler where a read-aloud of just the dialogue could transform any playing space into a chamber of Story Delight?

Our *Prime Playmaking Project is a "shortcut cooking" method for producing quality theatre. Chosen submissions are loaded onto ipads, rehearsed with fine actors for a few hours, then taken to bars & living rooms. No stage directions are read out loud. The actors "enter" by standing and "exit" by sitting. It's a pure Reading; something akin to campfire storytelling-- through theatrical dialogue.

If you've got a piece that could be categorized as Action, Fantasy or Suspense (how our company defines "Pulp") and needs no stage directions, please show us what you've got.

Chosen authors receive $5.00 for each performance of works under 20 minutes and $10.00 for each performance of works 20-50 minutes and $20.00 for pieces 50 minutes or more. Pieces are frequently used for more than one performance. Prime Playmaking also gives authors an excellent marketing angle for their pieces: A play that needs little to no budget to mount and has been proven (through our performances) able to carry an evening.


The piece must fit under the categories of either action, fantasy or suspense.
Though not necessarily limited to 4 characters, the piece requires no more than 4 actors.
Contains little to no physical actions OR it has tastefully-placed interludes of narration to cover those actions.
The changes in setting and circumstance are very easy to track just through the dialogue.
Establishes high stakes from the get-go or an atmosphere of danger/outrageousness from the get-go.
While it doesn't have to be a comedy, humor does tend to be a good check-in with the audience's focus.
Extra points for scripts with more roles for women!

If you don't have anything that fits our qualifications, feel free to refer friends to us and send suggestions of existing published works.

You can send word docs or pdfs to

If you do not receive a response within 30 days of your submission, please contact us and you will have an update within the week.

Long Island Theatre Collective (LITC) New Plays Festival

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The Long Island Theatre Collective (LITC) is accepting submissions for its inaugural New Plays Festival, to be performed April 17-18, 2015 in Bellmore, NY. 

Selected playwrights will work closely with our collective of directors and actors to develop their piece and share it with our incredible audience.

Scripts of all lengths will be considered: full-length, one-act, ten-minute, or any other duration. Plays with smaller casts, minimal technical elements, and those with themes that are relevant to Long Island audiences will be of particular interest. We will not accept plays that have been previously produced or published.

Submissions will be accepted through January 15. 

Please email your script as a PDF or Word attachment to with the subject line, “New Plays Festival.” 

Please include a brief synopsis of the play and a character breakdown as a separate attachment. Hard copy submissions will not be accepted. All writers will be notified of the status of their submission by February 15.

Free theater in Chicago - Romeo and Juliet in American Sign Language

R&J in ASL - Romeo and Juliet in American Sign Language

Set in 1890’s Martha’s Vineyard when a unique deaf/hearing bilingual agricultural community gave way to a budding tourism industry. Intense cultural lines are drawn between hearing and non-hearing as land, lifestyle, and livelihoods ignite the Capulet and Montague families. This beautiful and physical production is both spoken and performed in American Sign Language and intended for all audiences

Friday Nov 21st - 7pm
4945 N Damen Ave, Chicago, IL 60625

Sat Nov 22nd- 7pm
1914 N Milwakee Ave, Chicago IL

Sun Nov 23rd- 3pm
Trap Door Theatre, 1655 W Cortland St, Chicago, IL 60622

This event is free.
No additional guests are allowed.
Please RSVP by replying to

Little Festival of the Unexpected Submissions

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Submissions for the upcoming Little Festival of the Unexpected are accepted year-round on a rolling basis (we are currently reading for the 2015 festival). All submissions received after January 1 will be considered for the following year’s Festival. Only scripts and samples of full-length plays are considered for the Festival.

Literary agents may submit complete scripts on behalf of their clients at any time.
Playwrights who do not have agents may submit 10-page dialogue samples for consideration. Dialogue samples must be accompanied by a synopsis, production history and character breakdown.

Plays are eligible for development at the Little Festival of the Unexpected only if they have not previously been professionally produced or workshopped with Equity actors. This restriction includes Actors Equity showcase and waiver productions. Plays that have had readings or non-AEA productions are still eligible.

Only one submission is accepted per playwright in a given year.
Submissions of 10-page samples (from playwrights) must be sent by U.S. Mail only – no e-mails, faxes, etc.

Submit by mail to:

Portland Stage Company
Attn: Literary Manager
P.O. Box 1458
Portland, ME 04104

Monday, November 10, 2014


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This is the ninth year of premiered staged readings of three winning one-act plays in showcase at the Brick Box Theatre housed in the beautiful Paramount Theatre in downtown Rutland, Vermont. Vermont Actors’ Repertory Theatre is in its tenth season. The NorEastern Contest winners will receive an intense day and a half’s work on each play, and two evenings of Showcasing as well as three nights lodging. The NorEastern Showcase rehearsal and performance dates for this year will be May 14, 15 & 16, 2015. First, each script goes through a rigorous screening process with panels of readers. The scripts with the highest scores are submitted to a second panel, and then the finalists are read by a single reader who selects the three scripts to be showcased.

Type of work: one-act plays no longer than 45 mins.

Deadline: November 15, 2014 
Plays may again be submitted as of August 15, 2015.

This year’s winners will be in workshop and showcase May 14 (workshop), May 15 (workshop & showcase) and May 16 (professional review and discussion & showcase)

2015 Guidelines

This contest is open to playwrights of all ages and experience who are residents of Vermont, New Hampshire, Maine, Massachusetts, Rhode Island, Connecticut, New York, New Jersey and Pennsylvania.

· One-act plays must be readable in the showcase in 30 to 45 minutes. Readers are instructed to disqualify plays that are, or appear to be, longer.

· Submissions must be original, unpublished, one-act plays. Plays that have had staged readings or productions may be submitted, however, plays that have received Vermont productions or readings or have been published may not.

· Legal clearance of materials not in the public domain is the full responsibility of the playwright.

· Individual playwrights may submit a maximum of two (2) entries per year.

· The author will maintain all literary rights to his or her own material.

· All submissions are judged blind. We require four (4) bound copies with four (4) cover pages: All four (4) with the title of the play, BUT ONLY ONE with the author’s name, address, E-mail & phone numbers. Electronic copies will not be accepted due to the costs of printing.

· If you would like your scripts returned, you MUST include an S.A.S. mailing envelope covering the FULL return mailing costs with your submission. If no S.A.S.E. is included, your scripts will be recycled.

· Plays must be processed, page numbered, and securely bound in an ably bound soft cover, in standard professional play format. Write to Samuel French Inc., 45 West 25th Street, New York, NY 10010-2751 for their format guidelines, or copy them from on line.

· All submissions will be handled with care. However, Vermont Actors Repertory Theatre assumes no responsibility for lost or damaged scripts.

· Submission fees: Following the guidelines of the Dramatists Guild of America there is no entry fee.

· Mail four (4) copies of your script(s) to: 

Nor’Eastern Play Writing Contest, 
Vermont Actors Repertory Theatre, 
PO Box 580, 
Rutland, Vermont 05702-0580. 

Deadline for submissions is postmarked by November 15, 2014, notification of winners will be on or about March 5, 2015 and the staged readings in Showcase will be in May 14,15 & 16, 2015, with winning playwrights expected to attend.


UNHEARD Festival (UK)

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We are now accepting submissions for the UNHEARD Festival in February 2015!

Deadline is Sunday 30th November at 5pm (UK time).
No exceptions can be made, including technical difficulties, so please make sure to submit in time!

We accept script submissions (for which we will find a cast and director) as well as proposals with a team already attached.

We aim to include as wide a variety as possible of new, challenging and thought-provoking writing addressing sexual abuse and violence, the victims, the survivors, the consequences, their families, their friends, their lives or anything else around the topic you wish to explore.

Selected submissions will receive one performance or rehearsed reading between 19th and 22nd of February at The Bread & Roses Theatre in Clapham (South London).

Submitted pieces can be any length, but it is likely that longer pieces of writing will be staged as a rehearsed reading rather than full performance (unless you already have your own production team).

If you have any questions or want to make a submission please email or use the online form.

Writers' names can stay anonymous, if this is preferred, just please do let us know asap.
All profits from UNHEARD will be donated to relevant charities.

11th Annual Ten-Minute Playwriting Contest

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Lakeshore Players Theatre is accepting submissions for 10-minute plays. 
Finalist plays will be produced at our Annual Festival in June 2015.

Play submissions will be accepted through November 15, 2014.


High school-aged playwrights are encouraged to enter. Plays must include a letter from a teacher or school administrator, written on school letterhead, verifying that the play was written during high school, in addition to the guidelines below. If the committee chooses to name a high school entry as a finalist for the 11th annual contest, the play will be produced with our other finalists in our festival in June 2015.


Please read the following rules and requirements carefully. 
Plays not meeting the requirements will be disqualified.


• The play should be approximately ten-minutes in length.

• The play must have no more than five on-stage (speaking and non-speaking) characters.

• You may submit only one play, so send us your best! Please do not make more than one submission.

• The play should be in a "play format" making it easy for the readers. 
(We like 12-point, easy to read fonts, such as Times New Roman or Ariel)

• The play must be unpublished and unproduced at the time of submission to our contest. We do screen for this, so don't send us your play if it has been produced. (Staged readings are not counted as "produced.")

• Submitting your play to our contest grants Lakeshore Players the right to produce your play in our annual festival and photograph and/or videotape it for archival purposes, if it is chosen as a finalist.


• The play should have simple technical requirements. There won't be a set — a few furniture pieces and a few props only — we only have about one minute in between plays to change scenes.

• As a community theatre, we want to appeal to the largest possible audience, therefore plays with excessive offensive language are less likely to be selected - please keep that in consideration.

• Two ways to submit: Email or Mail.

• Your play must be received no later than November 15, 2014 to be eligible.

Only plays submitted exactly as outlined below will be accepted.

VERY IMPORTANT – Email submission rules below MUST be followed, or your submission will be disqualified.

1. Send one copy of the play with ALL contact information on the title page:

◦ play title

◦ your name

◦ your mailing address

◦ your phone number

◦ your email address

2. Send ANOTHER copy of play for the judges with NO contact information on the title page: just the title of the play.

3. Email Instructions

◦ Subject line: Include the title of your play, for example: 10 Min Contest: MY GREAT PLAY

◦ Include your complete contact information in the body of the email.

◦ Tell us where you heard about the contest.

◦ Please include the title of your play in the file name. For example:
My Great Play-Blind.pdf
My Great Play.pdf

4. Email plays to:

Don't know how to PDF? No problem.

1. Send one copy of the play with ALL contact information:

◦ play title

◦ your name

◦ your mailing address

◦ your phone number

◦ your email address

2. Include ANOTHER copy of play for the judges with NO contact information - just the title and the play.

3. Mail to: 
11th Annual Lakeshore Players 10-Minute Play Committee
4820 Stewart Ave. 
White Bear Lake, MN 55110

4. Plays will not be returned to you.

5. If you would like confirmation that we have received your script, please include a self-addressed, stamped postcard with your script.


Plays chosen for production in our festival will receive $10 per Lakeshore performance of the play, and a copy of the program from the festival within 60 days of the festival weekend. Production photos will be uploaded to PhotoBucket and available for viewing, sharing, and downloading.

Any questions? E-mail: