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Friday, April 26, 2024

Second Annual Fern Street Play Festival

Website

Deadline: June 1, 2024 11:59 p.m

ACCEPTING FIRST 200 SUBMISSIONS ONLY

Send to: LRE@westhartforduu.org

Second Annual Fern Street Play Festival ~ November 1 and 2, 2024


NO FEE

Familiar in the neighborhood as the church on Fern Street, The Universalist Church of West Hartford, Connecticut has a history of using theatre to build connections across our own progressive congregation and the local community. We continue to widen the circle of this tradition by inviting voices from far and wide to be part of our second annual play festival. Our mission is to uplift and examine the human condition through theatre. To that end, we invite playwrights to submit plays, new or old, published or unpublished, to our no-fee juried play festival. 

Our inaugural Festival in 2023 was a grand success, attracting more than 130 submissions from around the United States and several other countries. From those, eight plays were chosen for seated readings and were performed by outstanding actors from the community. The Festival attracted an enthusiastic audience over two nights.

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This year, selected plays will receive a $100 honorarium. One grand prize will be awarded in the amount of $250. Each selected play will be professionally produced as a seated reading for a live audience. We plan to make a video recording of each individual play reading and make those available to the playwrights, to be used at their discretion, excluding commercial purposes.

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INSTRUCTIONS – PLEASE READ AND FOLLOW CAREFULLY

Submit a properly formatted playscript for the stage. For formatting guidance, see: https://www.dramatistsguild.com/.../General-SFI...

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Make the script itself “blind” by removing any reference to the playwright’s name, address, bio, past performances, or awards. You may, of course, identify yourself in the body of the cover email. 

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The play may be from any genre – drama, comedy, musical, etc. It should be a complete, short play – no longer than 25 pages.

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Email your script as a PDF document to lre@westhartforduu.org by 11:59 p.m. on June 1, 2024. No late submissions will be accepted.

SELECTION CRITERIA
Plays will be chosen for performance based on the following criteria:

1. Dramatic literary skill
We will especially appreciate submissions that use drama as the main literary device. Plays that rely too heavily on exposition or are written in a didactic style will not meet the criteria for dramatic literary skill.

2. A performance time of no more than 20 minutes.

3. Illustrative (in any significant way) of at least one of the Unitarian Universalist Seven Principles or Shared Values.1st Principle: The inherent worth and dignity of every person;
2nd Principle: Justice, equity and compassion in human relations;
3rd Principle: Acceptance of one another and encouragement to spiritual growth in our congregations;
4th Principle: A free and responsible search for truth and meaning;
5th Principle: The right of conscience and the use of the democratic process within our congregations and in society at large;
6th Principle: The goal of world community with peace, liberty, and justice for all;
7th Principle: Respect for the interdependent web of all existence of which we are a part.
The Shared Values are: Love, Interdependence, Equity, Transformation, Pluralism, Generosity, and Justice.

Although illustrating these principles or values can be conceived in myriad ways, we will select plays we can discuss with audiences using one or more of the principles or values as a lens for interpretation.

REVIEW AND NOTIFICATION
A group of qualified readers will begin a blind review of scripts immediately. We plan to notify all writers of the outcome of the selection process by no later than Oct. 5, 2024.

PERFORMANCE OF SELECTED PLAYS
If selected, your play will be produced as a seated or minimally staged reading for a one or two-night run, depending on the number of plays selected. Performances will be held in the sanctuary of the historic Universalist Church of West Hartford and videorecorded by a state-of-the-art system. Performance dates are slated for November 1 and 2, in the evening.

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Productions will use a mix of qualified professional and amateur actors. The director(s) have extensive theatre backgrounds.

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The Festival will be marketed and advertised throughout the greater Hartford area.

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Playwrights will be invited to attend one rehearsal to collaborate and consult with directors and cast. If traveling from afar, writers will need to cover their own travel and lodging expenses.

RADIOPLAYS - Festival 2023-24

Website

Deadline: April 30, 2024

SUBMISSION FORM

July 23 through May 2024
(Productions will air continuously)

Works must feature some aspect of LGBT life.

If you skipped our webpage, please see: https://freshfruitfestival.com/radioplays-2023/for details.

APPLICATION INSTRUCTIONS: Please complete all fields on the following pages, attaching requested information or providing the appropriate links. Note this application should be finished in one sitting. Once completed in its entirety, please click "Submit" at the end, to officially submit to this Festival program.

APPLICATION REQUIREMENTS: Please complete the application fully. Incomplete applications can not be considered. (Script revisions are expected, but staying within length limits).
Submit any required work samples for your work: Text attachments must be in .RTF, .PDF, or .DOC file formats. Supporting files: Do not upload video or audio files; give Links to them only. Video/Audio links may be on Vimeo, YouTube, Dropbox, or other services. Please make sure you give us a full link and any password required to audit them.

Submissions: Please attach a complete, current or draft version of the text. SHORTS (of 10-30 min. long) and SHOTS! (4 to 12 min) will both be considered for this season's program. Complete rules on the website.

If this work is NOT yet a radio-script: you will be asked to also submit a 2-page excerpt in Radio-Script format, with detailed ambient, blocking, and sound design notes.

Thursday, April 25, 2024

The Ryan Hudak LGBTQ+ Dramatic Writing Award

Website

Deadline: June 18, 2024 at 5:00 PM ET 

*Please note that the application form on Submittable will automatically close & stop accepting applications at this time.

ELIGIBILITY REQUIREMENTS

The Ryan Hudak LGBTQ+ Dramatic Writing Award is open to New York State playwrights and screenwriters, including those who live within the five boroughs of New York City.

Applicants must meet the following criteria:Must be a working playwright or screenwriter. Acceptable forms of playwriting or screenwriting include stageplays, screenplays, teleplays, libretti, radio plays, and audio dramas. No audio is accepted.
Must self-identify as LGBTQ+.
Must be a current full-time resident of New York State for a minimum of 12 months at the time applications close.
Must be at least 25 years of age at the time the application closes.
Cannot be enrolled in a degree-seeking program of any kind.
Can be past recipients of any NYFA grant or fellowship programs, except past recipients of the The Ryan Hudak LGBTQ+ Dramatic Writing Award.
Cannot be a NYFA employee, members of the NYFA Board of Trustees or Artists’ Advisory Committee, and/or an immediate family member of any of the above.

Questions? Check out our Frequently Asked Questions Page or email apply@nyfa.org

Equity Library Theater of New York Winter 2024 Virtual Play Festival, seeking short plays

Website

Deadline: May 1, 2024

Submissions are being accepted for the Equity Library Theater of New York Winter 2024 Virtual Play Festival. Seeking short plays (no more than 20 pp/minutes), from playwrights from around the globe. Also seeking monologues (no more than 5pp/minutes). Musicals welcome! 

We post your YouTube link of the performance to the festival site for voting. One submission per playwright. No submission fees. Please include name, address, telephone number and email address on your submission. We do not produce your work; we provide a venue for you to present actors performing your play. There are no costs involved for anyone. Seeking actors and directors, too! 

Wednesday, April 24, 2024

2025 Lanesboro Residency

Website

Deadline: May 31, 2024 at 11:59 p.m. CST

A place-based program for early career artists where art and the artistic process instigates positive change, addresses or creates an opportunity to move the community forward or is otherwise be central to problem-solving. Supported by the Jerome Foundation, the Lanesboro Early Career Artist Residency program is an opportunity for early career artists from Minnesota and the five boroughs of New York City to explore ways in which their work can be applied to the community and how Lanesboro’s rural community can inform their work.

This place-based and community-engaged residency program was designed to align with and amplify Lanesboro Arts’ vision for communities–especially rural communities–to embrace artists as economic drivers, culture bearers, community builders, and problem solvers. Lanesboro Arts is especially seeking residency projects where community engagement is integral to the art making or projects where public interaction with the work is at the core of an artist’s practice.
Before submitting an application, please take moment to review our program guidelines and eligibility criteria.

The Round One application deadline for the 2025 Lanesboro Early Career Artist Residency Program is Friday, May 31, 2024 at 11:59 p.m. CST. The application opened on April 18th, 2024.

New in 2024, Lanesboro Arts is implementing a two-round application process for the Early Career Artist Residency Program, in response to feedback from artists. The two-step application process is meant to alleviate some of the time-consuming nature of applications.

Round One of the application process asks for basic information about the artist, their demographics, and a bit about the proposed project. Round One applications are open to all and are due May 31, 2024 at 11:59 pm.

Applications are then reviewed by Lanesboro Arts staff for alignment and best fit with program mission and goals. Following review, applicants will be notified of their application status by June 11th. A smaller pool of selected applicants will then be invited to apply for Round Two, which includes more detail about the artist and their proposed community project. Round Two applications are due August 2nd, 2024 at 11:59 pm and are reviewed by a diverse jury of artists from around the state of Minnesota.

It is not possible to save your in-progress application. This page contains all application fields and questions. Please consider downloading the application questions here and creating your own document to save your in-progress application before copying and pasting the final application here when you’re ready.

M. T. Pockets Theatre 2024 Ten Minute Play Festival

Website

Deadline: May 25, 2024

Online submission form

We will be holding our annual Ten Minute Play festival this year from August 30 - Sept. 6, and we are looking for new material! 

Plays must: 

-Be royalty-free, preferably never produced. 

-Have 10 or fewer pages (excluding title/character pages.) Monologue plays should be approximately 5 pages. We are aiming for a 10-minute run per show. 

-Preferably have 4 characters or less Our submission portal will be open until midnight on May 25, 2024, and we will announce our selections on July 1st.

Tuesday, April 23, 2024

BMI Musical Theatre Bookwriting Basics 2024

Website

Deadline: June 1, 2024

SUBMISSION FORM

This nine-month course explores the fundamentals of writing book for the musical theatre.

Drama Desk Award winning bookwriter Adam Mathias (he/him) unlocks the toolkit for musical theatre librettists. Through lecture, discussion, and assignments students learn how to apply the fundamentals of playwriting to the craft of creating musicals. As a class, writers deep-dive into the DNA of the musical theatre canon — from the Golden Age through today — dissecting what works and why and then applying it to their own work.

Applicants should have a book-musical project in mind to develop over the course of the year; this musical could be anywhere from an early concept to an early draft.

The course runs September through May in New York City, Covid restrictions permitting. Prospective members should live in the city or be able to commute weekly.
Librettists Workshop

After completing the Bookwriting Basics program, writers may apply to join the established Librettists Workshop group. Not all writers who apply will be invited to join.

Nancy Golladay, veteran Broadway literary manager and dramaturg, moderates a writers’ roundtable focused on developing the skills unique to musical theatre bookwriters. Members read and critique each other’s work as their material evolves from one-page synopses to fully scripted scenes — including occasional cold readings of an entire show. In a yearly collaborative project, the Librettists Workshop engages with the First Year Songwriting Class. Librettist Workshop members are also eligible to participate in Collaborator Connections events with members of the Songwriters Workshops.
Application

Applicants must submit two writing samples, at least one of which must include comedic content.

Either or both samples could be:a 10-page or longer excerpt from a script or other genre
a complete one-act
a full-length script

Any of these may be in-progress, produced and/or published material.

Scripts from genres other than playscripts or musical theatre scripts are also acceptable; however, theatrical comedy scenes are preferred to stand-up or sketch material.

In addition, writers must include a bio or resume.
Schedule

Musical Theatre Bookwriting Basics — Tuesdays 5:30 - 7:30 p.m.

Librettists Workshop — Mondays 6:15 - 8:15 p.m.

All sessions take place at the BMI Offices in lower Manhattan from September through May. All prospective members must arrange to live in the greater New York City area or be able to commute weekly September through May. Please do not apply if this is not possible for you.

Applications must be submitted by June 1st.

Fees

There is no fee to apply for or participate in the BMI Lehman Engel Musical Theatre Workshop.

Please note that Workshop participants will be charged $43.55 for a 7 WTC identification badge.
Apply

The Workshop application process is now open!

Theatre Three's 26th Annual Festival of One-Act Plays (2025)

Website

Deadline: September 1, 2024

Since its inception in 1998, The Festival has received over 12,000 submissions from across the world and produced over 140 world premieres by more than 100 different playwrights. The Festival presents between five and eight plays each season.

Guidelines:
  • Playwrights may only submit one play per Festival.
  • Only unproduced works will be accepted. Please do not submit works that have been submitted for previous Festivals.
  • Plays that have had staged readings or on-line productions are eligible.
  • No adaptations, children’s plays, or musicals.
  • Cast size maximum: 12
  • Length maximum: 30 minutes (no minimum)
  • Settings: Simple or suggested.
  • All submissions should be emailed as PDFs with the title in caps followed by the playwright’s name. Example: THE BASKET WEAVERS Jamie Martin
  • Play’s cover sheet must include the author’s information (name, address, telephone, email). A short synopsis is encouraged
  • Any stage play format is acceptable.
  • Submissions should be sent to Jeffrey@theatrethree.com
  • Scripts must be received by September 1, 2024.
Selected plays will be presented for ten performances (dates to be determined in winter-spring 2025), at the Ronald F. Peierls Theatre, on THEATRE THREE’s Second Stage.

Playwrights will receive a $150 stipend.

Playwrights will receive a standard Dramatists Guild-approved contract and will receive four complimentary tickets to be used at any performances. Playwrights are welcome to attend any rehearsals or performances. Playwrights will receive copies of playbills, postcards, articles, and reviews, as well as a link to all publicity and production photos. THEATRE THREE is responsible for all elements of production; playwrights incur no expenses. THEATRE THREE retains no future production rights.

Playwrights of selected plays will be contacted by early December 2024.

Final selection of plays will be announced on THEATRE THREE’s website and Facebook page by December 15, 2024.

Monday, April 22, 2024

Neukom Literary Arts Award for Playwriting 2024

Website

Deadline: May 1, 2024 5PM

The submission form will be accepted until 5PM, May 1, 2024.

The Neukom Institute for Computational Science at Dartmouth College – in collaboration with Northern Stage – is excited to announce the 2024 Neukom Institute Literary Arts Awards for Playwriting, for full-length plays and other full-length works for the theater addressing the question “What does it mean to be a human in a computerized world?”. The award comes with a $5,000 honorarium as well as a 29-hour workshop and public reading produced by Northern Stage (https://northernstage.org/) in January 2024. Note that works that have received a full production are NOT eligible for the competition.

Details are as follows:

Questions? Email Brandy (Yijin) Zhang bzhang@northernstage.org

Submissions must include:

An anonymized (blinded) copy of the piece

Playwright resume/bio

Production history of the piece

1 page statement of purpose that answers the following questions:

A. How does your piece address the theme of exploring humanity in our computerized, digital world?

B. The winning play will have a 29-hour workshop and public reading at Northern Stage in White River Junction, VT in early 2025. What are your developmental goals for the play and how would this workshop serve those goals?

Carlo Annoni 2024 International Playwriting Prize

 Website

Deadline: April 30, 2024

The Carlo Annoni International Playwriting Prize is now open for submissions with topics concerning the LGBTQ+ community, including love, diversity, and identity in a time of gender fluidity.

We accept full-length or short plays, even if already represented.

€1000 (euros) awarded to two best plays (one in English and one in Italian) and special jury mentions on multiple categories.

Award ceremony in Milan, September 2024

Send your submission to info@premiocarloannoni.eu 


Sunday, April 21, 2024

PlayZoomers Seeks Short, Online, Holiday Scripts

Website

Deadline: July 31, 2024

PlayZoomers, a live, online theater company, seeks short (10-15 min.) holiday scripts for our December 2024 production. We seek light, humorous, clever plays with themes related to Christmas, Hanukah, Kwanzaa, New Year’s Eve, or other December holidays. Scripts should be suitable for online production. There will be no script submission fees required. If we produce your play, you will receive a small stipend.

Please email scripts to playzoomers@gmail.com 

In the email’s subject line, put “Holiday script submission: [title ofplay] by [playwright]”. If you are submitting multiple scripts, send each one in a separate email. Please do not re-submit scripts you have previously sent us.

On the first page of your script include the title, playwright name, estimated run time, and contact information. On the next page, include a logline/brief plot summary, a detailed character breakdown, any production history, and ashort playwright bio. At the end of the script, describe production details, such as backgrounds, costumes, props, music, and sound effects. 

For additional script formatting guidance, go to https://www.dramatistsguild.com/script-formats

The deadline for this round of submissions is July 31, 2024. As we read through scripts, we will acknowledge your submission and reach out to you only if your script is selected for production.

With 110+ professionally produced plays since 2020 - involving more than 285 playwrights, directors, designers, actors, and scores of audience members from 35 states and countries around the world - PlayZoomers has become a national online theatre company and an international theatre community. We feature plays of different genres and lengths, with cast sizes typically ranging from 2 - 6. We work closely with playwrights toadapt their work to a digital platform. We welcome theatre artists and audience members of all ages, genders, and backgrounds. Learn more about our nonprofit company at https://www.playzoomers.org

The 15th Annual Northport One-Act Play Festival

Website

Deadline: June 1, 2024

Submission form to print and fill out here

The 2024 Northport One-Act Play Festival will be held at St Paul’s United Methodist Church, 270 Main St, Northport, NY 11768.

We request that you be available to attend your play’s performances if possible. An Open Discussion with the playwrights, directors, and cast may follow each performance if time allows.

IMPORTANT REQUIREMENTS FOR SUBMITTING YOUR SCRIPT:

1) Please make sure your script pages are numbered;

2) On the cover of your script, please include a.) Name of Your Play, b.) Your Name, c.) Your Contact information [Address, Telephone Number & Email];

3) Include the character breakdown on the second page of your script;

4) Include the Setting that your play occurs (i.e., an apartment in NYC.) and the Time (i.e. the Present.) on the second page. This information will be used in the program.

5) Note: Ease of production is also considered as part of a play’s possible selection for the Festival. We recommend one simple set and no complicated props, sound or lighting requirements. You will bepermitted to have opening and closing music which is in the public domain: no music which requires a royalty. We suggest no more than 4 characters.

6) Also submit a digital copy of your script, either on a CD included with the script, or by email to NorthportPlays@gmail.com.

7) Please include a Self Addressed Stamped Postcard if you would like notification that we have received your script.

PRODUCING YOUR PLAY:

1.     REMEMBER: If you do not produce your own play, a group from the local theater community will be doing so. That group must find space to conduct their own rehearsals. The Northport One-Act Play Festival will provide for One (1) cue-to-cue technical rehearsal, which will last no longer than 20 minutes in the theater during the weekpreceding the Festival. There will also be One (1) tech and one

(1) dress rehearsal on the stage. All rehearsals are scheduled in the order that plays will be presented in the Festival.Each program consists of up to 7 playsA mandatory preview on Sep 14th will be scheduled and must be attended by Director and actors. Half-hour time slots will be offered between 11:00am and 5:00pm.


2.     LIGHTING AND SOUND: There will be a basic lighting plot that all plays in the Festival use. Any additionalequipment (i.e., microphone, musical instruments, etc.) must be provided by the Directors of the play. Any music/sound effects must be on CD or sent as an MP3 file and supplied by preview day, Sep 14th, along with stage manager, sound and lighting cue scripts (3 separate notated scripts).


3.     SETS: We will assist in any way possible to provide basic sets but keep the scenery and props to a minimum. Any plans to use a large set piece to support the production must be mentioned to the producers of the play before Sep 14thYour cast will be asked to help clear your set after each performance.


4.     RUNNING TIME: It is very important that you give us the running time of your play so we can accurately puttogether the running time of each Program. The maximum running time for a play in the Festival is 20 minutes. Any play going longer in rehearsal will require some editing. The minimum running time is 7 minutes.


5.     REHEARSALS: Directors and cast must be available to present their play to Festival producers

Sep 14th (time to be determined) so that the producers are aware of its current running time and readiness for theFestival. Note: Producers may request the directors to have playwrights make edits to reduce the running time of the play at this point if it is determined that it will run past 20 minutes.


Directors and cast must attend tech and dress rehearsals on the dates assigned during the week preceding the Festival.

6.     ACTORS: If asked, management can assist in casting by providing contact information to appropriate actors and publicizing your auditions. Director must send descriptions of open roles, e.g. age, sex, etc.

7.     PERFORMANCES: All plays will be assigned to either Program 1 or Program 2. Program 1 will be performed the evening of Friday, Sep 27th and the matinee of Saturday, Sep 28th. Program 2 will be performed on the evening of Saturday, Sep 28th and the matinee of Sunday, Sep 29th.

8.     No Royalties or other monetary compensations are given for these performances.


IMPORTANT INFORMATION

TECHNICAL / PRODUCTION: You will need to keep the technical requirements for your show very simple. There willbe a general light plot, with specials that everyone involved in the Festival will use. Sound is basic. Directors should submit their sound and music on a CD or MP3 file before Sep 14thDirectors will have a chance to discuss tech with the staff at this Preview Day. Storage space is limited so you should keep your props and set to a minimum. Each play will have onecue to cue technical rehearsal for 20 minutes in the theater during the week prior to the Festival and one dress rehearsal.

PUBLICITY: Northport Plays, Inc will publicize the Northport One-Act Play Festival and coordinate overall press relations, including interviews and media attendance at performances. The directors will be asked to submit publicity photos & PR materials so that we can send complete press packages to print, broadcast and social media. A copy of the flyer/poster will be emailed to all parties. You are responsible for publicizing your own show through your own pressreleases, Facebook, and other means. The more you promote your show, the larger your potential audience. Northport One-Act Play Festival will produce a playbill for both Programs.

EXCLUSIVITY: Whether or not your play is accepted in the Northport One-Act Play Festival, Northport Reader’sTheater will try to include your script in their monthly hybrid readings. You will be invited to attend the reading of your play if it is scheduled. The readings are followed by a discussion of the play. If you are unable to attend, a video will be made of the reading and the link sent to you.

NETWORKING: The Northport One-Act Play Festival is a wonderful place for talent to network and be considered for new projects. Just think, at every performance your work will be seen by other playwrights, directors, and actors. In addition,there will be an opportunity for the playwrights and casts to meet the audience following each Program. The Northport One-Act Play Festival is a great place to be seen and be heard. Several Festival plays have gone on to runs on Long Island and in New York City.

PLEASE NOTE: The goal of the Northport One-Act Play Festival is to provide a nurturing environment to develop and showcase new plays. We pride ourselves in providing a platform to present diverse, exciting, new works that capture the pulse of innovative theatre. We enjoy the wide range of talent that we have been able to provide and a stage and for artists to present new work. We take several factors into consideration when deciding to accept a play into the Festival. Subjectmatter, creativity and freshness are important factors. Tell us in your cover letter why you feel you need to be a part of the Northport One-Act Play Festival.

ACCEPTANCE: All applicants will receive acceptance status notification (i.e. accepted or declined). Notification of acceptance status will begin to be mailed on or about July 1, 2024. If your play is accepted, you will receive a Release Agreement to participate in the Festival. You will have until July 15, 2024 to sign the Agreement and mail it to us along with your $75 participation fee. If your play is accepted into the Festival, you will be told in which Program your play will be performed. If you have a conflict with any of the dates, please note it on your submission form. You will receive two complimentary tickets to each performance of your play and a DVD of or link to the performance.

TICKETS: The Northport One-Act Play Festival tickets will be available for sale online beginning in September 2024. Information will be available at www.NorthportPlays.com or 631-223-8053.

Saturday, April 20, 2024

MURMURATION THEATRE COMPANY CALL FOR SCRIPTS


Deadline: April 29, 2024 at 11pm

Instagram: https://www.instagram.com/murmurationtheatreco/

Submit via Form: https://forms.gle/9ZPsgY9ZzTFfxjFz6

No submission or participation fee

No eligibility restrictions; preference given to early-career writers

Multiple submissions allowed

Murmuration is now accepting work for 2024/2025 consideration in the following categories:

(1-45 pages) New Works Showcase: a selection of new short or one-act plays, fully staged and directed by our creative team.

(45-140 pages) Mainstage Production: a full length play, produced and directed by our creative team.

With optional additional consideration for:

Out of the Wings Open Mic: a monthly selection of excerpts, performed on-book.

Staged Reading Series / Workshops: One or more private developmental readings (cast by our team) and a public staged reading or workshop performance.

Not accepting: musicals, theatre for young audiences, one-person shows

Please feel free to reach out to murmurationtheatreco@gmail.com with any questions or concerns.

The 2024 AGE Legacy Playwright Grants 2024

Website

Deadline: May 15, 2024

SUBMISSION - MUST REGISTER AN ACCOUNT

RECIPIENTS NOTIFIED September 2024

ELIGIBILITY CRITERIA
  • Identify as BIPOC
  • 40+ years of age
  • Identify as a person of marginalized gender or gender-diverse. We use the terms “marginalized gender” or “gender-diverse” to refer to our community of members who experience marginalization due to their genders. This includes cisgender women, transgender women, transgender men, non-binary people, among many other marginalized gender identities. Please note- marginalized gender is not the same as a marginalized person, nor does it relate to sexuality.
  • Identify as an emerging artist. Emerging means that the playwright has had no more than one play fully produced in one or more professional theatre(s). Readings and workshop productions are exempt.
  • Have an original draft of a full length play completed at the time of application; while not necessary, it is highly encouraged that the script have at least one principal character who is a BIPOC person of marginalized gender, 40+ years of age. Special consideration will be given to plays that fulfill this suggestion.
  • Live and work in the United States or Puerto Rico and are able to submit a W9 if chosen as a Finalist or Recipient.
SELECTION CRITERIA
  • Applicant meets all eligibility criteria.
  • Applicant submits all materials and information within the timeframe of the ALP grant submission and review process.
  • Applicant demonstrates a strong desire to not only achieve success as a playwright, but to disrupt the current American theatre canon rooted in white patriarchal norms.
  • Applicants will submit a draft of their full script, and additionally submit the specific 10 pages they want reviewed in the first round of the application process.
  • Applicants are reviewed, in addition to their play submission, on their motivation, commitment, and dedication as a playwright to impact the equity landscape of American theatre. The focus of the review is both on the artist and their play, knowing that their writing is one of many drafts and efforts yet to be birthed in their playwriting career.

We acknowledge and honor that any selection process is subjective and imperfect. We will work with this in mind and do our best to mitigate any bias or harm. Applicants will be reviewed on their motivation, commitment, and dedication as a playwright to impact the equity framework of American theatre. Applicants may also be adjudicated on their body of work, and potential for lasting impact in the theatre industry. We hope to amplify emerging artists who have a clearly defined sense of self as a theatremaker. We recognize that all applicants, despite varying years of training and/or experience, are all still in the process of honing their skill, learning new things, and working toward mastery. We also recognize that mastery is defined by whatever the definition is for them and their journey.

Friday, April 19, 2024

North Park Playwright Festival 2024

Website

Deadline: June 30, 2024

Our goal in building the North Park Vaudeville and Candy Shoppe was to provide a small theater to produce new, untested plays. In support of this goal we have produced the North Park Playwright Festival each October. The festival provides a platform for brand new, short (ten minute), plays written by playwrights from around the world. Over the past seventeen years more than 600 new plays have been produced. We encourage new directors and actors to become involved in theater through the festival as well. Through the North Park Playwright Festival over ninety playwrights, directors, and actors each year are able to showcase their talents. We invite interested playwrights to submit work to the festival. Please follow the guidelines below.

We are looking for:

1. Short new plays (no more than 12 pages, less is fine) that are easily staged and have casts with no more than four people. Our theater is very small and we normally use a minimal set concept in this festival. We have to be able to change sets in just a few minutes as we do six to seven plays each evening of the festival. We don't have space for large casts.

2. We request new work. A play that has had workshops or one or two previous productions is OK, but we are not interested in work that has been produced in numerous other places. Our goal in building the theater was to have a place to produce brand new work and let playwrights have a chance to see their work done for the first time.

3. We seek complete plays rather than excerpts from a larger work.

4. Work will be chosen by the directors we have in the festival. It is not a "contest" and we are not really judging plays in the formal sense. The directors choose the plays we will produce, within the production budget guidelines we give them.

5. Most subject matter is OK. We don't do nudity or off color humor.

6. We ask that all submissions be sent to us via snail mail at the theater. Address is: North Park Vaudeville and Candy Shoppe, 2031 El Cajon Blvd., San Diego, CA 92104, Attn Summer Golden, Artistic Director. We have too much trouble with differing email, word processing, and computer platform issues to take them via email. Additionally, our selection process requires the directors read the plays submitted and the cost of printing all the plays we receive each year is prohibitive. Please insure submissions have a title page with complete contact information (including email), a character summary, and are in proper script form. There is no charge to enter. No need to go to the post office. You can just staple your play together, put in a business size envelope and drop in the mail. You can print on both sides if you want to save postage.

7. Submissions must be postmarked by June 30, 2024. Please do not send plays by any method that requires a signature from us. We are not often at the theater when delivery occurs. We will email notice of receipt to all playwrights submitting plays.

8. Send only one script. Multiple submissions do not increase chances of production.

General information:

We are trying to support new work and involve actors, playwrights, and directors of all experience levels. We have had a wide variety of artists involved from very experienced to first time directors and actors, to an 8 year old playwright (very short, well received play). We feel having a wide range of experience involved helps the new people learn from the more experienced.

We really appreciate your interest in our theater.

Jeff Bushnell and Summer Golden
North Park Vaudeville and Candy Shoppe
2031 El Cajon Blvd.
San Diego, CA 92104
www.northparkvaudeville.com

Veterans Repertory Theater (VetRep) seeks full-length plays from veterans

Website

Deadline: July 3, 2024 

Veterans Repertory Theater (VetRep) is launching a full-length play competition for playwrights who meet one of the following criteria: 
  • current or former US military, law enforcement, fire, EMS, foreign service, or intelligence service veteran OR 
  • immediate family member of a current or former military, law enforcement, fire, EMS, foreign service or intelligence service veteran (“immediate family member” means: parents, siblings, children and spouse.) 
Submissions should be emailed in PDF format to info@vetrep.org OR via the submission portal on the VetRep website at: https://vetrep.org/submissions/. If emailing, submission must include the veteran/immediate family member status of the playwright in the body of the email. 

Plays: 
  •  Must be a full-length, completed play; 
  • Any genre/any subject matter; does not have to be related to veteran's service 
  • Must not be a musical, screenplay, one-act, children’s play, adaptation, translation, or fan fiction play
  • Must be the entrant’s own original work and cannot be co-authored
  • Must be typed in the English language 
  • Must not have been previously produced or published. 
  • Must not be under option, commissioned, or scheduled for professional production or publication at the time of submission • Must not violate the intellectual property rights of any third party 
Playwrights may submit more than one play.

Winners and finalists will be notified via email no later than December 31, 2024. (Note: We will make every effort to have results back to submitters ASAP, however, in order to ensure fair treatment of each submission and to plan for any contingencies which may arise, we are providing a worst-case scenario for our timeline). There is no participation or submission fee. There is no guarantee that winners’ or finalists’ work will be produced by VetRep.

Thursday, April 18, 2024

22nd Annual New Play Festival

Website

Deadline: July 1, 2024 11:59 PM

SUBMIT VIA SUBMITTABLE
  • Submissions are open to any playwright whether from South Carolina, the region, country, or from around the world! 
  • Multiple entries per playwright/playwright’s representative is permitted.
  • Playwrights must submit a cover letter along with their script that includes a brief summary of the play, a description of the playwright's connection to South Carolina, and a suggestion of the unique perspective or experience provided by the playwright's body of work.
  • NO entries may be previously published.
  • Likewise, NO entries may have previously fully realized, regionally produced performances through the dates of the Centre Stage New Play Festival 2023 (previous readings and workshops are acceptable).
  • Entries may have NO more than seven (7) actors required.
  • All entries must be no more than 120 pages, but one-act and full-length plays are welcome.
  • Scripts must be in the Traditional or Modern format for plays as defined by the Dramatists Guild. 
  • While screenplays and 10-minute plays will NOT be accepted, musicals and plays with music may be submitted.

Equity Library Theater of New York seeks 10- minute plays and monologues

Website

Deadline: September 1, 2024

Submissions are being accepted for the Equity Library Theater of New York Summer 2024 Virtual Play Festival.

Seeking short plays (no more than 10 pp/minutes), from playwrights from around the globe. Also seeking monologues (no more than 5pp/minutes). Musicals welcome!

We post your YouTube link of the performance to the festival site for voting. One submission per playwright. No submission fees.

Please include name, address, telephone number and email address on your submission. We do not produce your work; we provide a venue for you to present actors performing your play.

There are no costs involved for anyone. Seeking actors and directors, too! Deadline: September 1, 2024. Email submissions to: equitylibrarytheater@gmail.com.

Wednesday, April 17, 2024

WP Theater Lab 2024

Website

Deadline: April 26, 2024 at 11:59 PM

SUBMIT VIA SUBMITTABLE

Is the WP Lab the right fit for you?

As a writer, this program is for you if you crave dramaturgical input and creative collaboration both from a director and producer, and if you’re ready to collaborate with storytellers in other mediums to deepen your work. This program is for you, if you’re looking for practical skills in how to strategically and holistically develop your work.

LAB STRUCTURE

Meetings:
The lab consists of two monthly meetings–one full Lab meeting for all three cohorts on the first Monday evening of the month, and a separate, discipline-specific meeting, usually on the second Monday of the month. These meetings are mandatory, and attendance at all meetings is the optimum means to get the most out of your Lab experience.

You will be given the full Lab meeting and Pipeline Festival schedule at the time of your interview, if you are selected.

Year One:
Participants will spend the first six months of the lab engaging in cohort- building activities to allow the artists to get to know one another as individuals and artistic practitioners, including collaboration work, skills-building, and career strategy sessions. It is imperative that participants prioritize attendance in these monthly lab meetings, as multiple absences will result in participants missing key building components that would prevent them from gaining the most from the lab experience.

In the second half of the first year, we will sort the Lab into writer/director/producer pods, and devote significant time to building the bonds and collaborative skills within each pod.

Year Two/Pipeline Festival:
Each pod will spend the remainder of the lab developing a new work together that will culminate in a showing in the Pipeline Festival reading series. The goal of the festival is to give producers, directors, and playwrights the collaborative tools to successfully develop new work in the theater industry. The resulting Pipeline Festival reading series will present this new work to New York audiences and industry professionals. The producers, in partnership with directors and writers, will shape the festival based on the artistic development needs of each project, with budgetary and in-house physical resources from WP, under the AEA 29 Hour Reading Guidelines.

REQUIREMENTS FOR ELIGIBILITY:
  • Must be a Woman+ artist living within 90 minutes of WP Theater via car or rail.
  • Must be able to attend evening meetings at WP Theater twice a month from October 2024 to May 2026, as well as other events throughout the 2024-2025 and 2025-2026 seasons, such as previews, performances, retreats, and other special events at WP. 
  • Must be available for the 2026 Pipeline Festival (March - May, 2026).
  • Regular attendance is mandatory and therefore applicants should view the program as a two-year-long commitment. Lab meetings will be held in person.
  • Must have received COVID-19 vaccinations (including eligible boosters).
  • Must be aged 21 or over.
  • Must be available for either an in person or virtual interview.

THE PARTICIPATING ARTISTS WILL:
  • Receive a stipend of $4,000 each year of Lab participation.
  • Participate in a semi-monthly full lab meeting led by WP Artistic Staff and Lab Liaisons.
  • Participate in a semi-monthly meeting of the five artists in their concentration led by a mentor in their field.
  • Participate in events and conversations led by established artists and leaders in the field.
  • Receive complimentary tickets to WP shows, invited dress rehearsals and other special events.
  • Receive artistic support and professional development guidance from the artistic staff.
  • Participate in The Pipeline Festival, a reading series of five new plays, written, directed and produced by the WP Lab, to be presented in the spring of the second year of the residency.
  • Receive access to WP’s rehearsal space at no cost, when space is not in use
  • Physical Address

Eliza Moore Fellowship for Artistic Excellence 2024

Website

Deadline: May 31, 2024

The Eliza Moore Fellowship for Artistic Excellence is awarded annually to one outstanding, early-career artist who is developing new works that address plants, gardens, or landscapes in the broad sense. This award is open to visual artists, literary artists, dancers, and musicians. The award includes a $10,000 individual grant and requires a 2 - 5 week stay at Oak Spring. While at OSGF, the Fellow will be able to meet with staff, explore our 700-acre landscape and our efforts in sustainable land management, and visit our rare book library that holds over 19,000 objects, including many examples of botanical art.

OSGF intends to award the Fellowship to an exceptional artist whose works show remarkable promise to contribute to a deeper understanding of the natural world, and humankind’s place in it. The Fellow will be scheduled to visit when there are other Interdisciplinary Residents or Fellows on-site. This scheduling will allow the Fellow to join in communal meals, and optional activities and field trips with other artists, ecologists, researchers, or scholars working on projects related to OSGF’s mission. Beyond time devoted to their projects, a Fellow’s typical day at Oak Spring might include a walk to enjoy the landscape or birds; an appointment to visit the Oak Spring Library; and/or a morning spent volunteering at the BCCF or in the formal garden. These optional activities provide Fellows time to learn from, and interact with our staff. None of these activities are required, and we understand that some Fellows might want to spend most of their time in their writing or working independently. We support and enable Fellows to use their time as they best see fit.

At the culmination of their stay, we encourage, but don’t require, Fellows to give a 20 – 30 minute presentation with time for questions, to Oak Spring staff and any other Fellows, Residents, or program participants who might be on site.
Application Process

The application portal is now open and will close May 31st, 2024. Please note that there is one application for all of our 2024 Residency and Fellowship programs, and you will be prompted to select which programs you would like to be considered for. You will be asked to submit:

a resume/curriculum vitae (not to exceed two pages),

a 200 - 300-word statement on your artistic practice,

a statement of 200 - 300 words stating how your work relates to Oak Spring Garden Foundation’s mission to “perpetuate and share the gifts of Rachel (“Bunny”) Lambert Mellon, including her residence, garden, estate and the Oak Spring Garden Library, to serve the public interest. OSGF is dedicated to inspiring and facilitating scholarship and public dialogue on the history and future of plants, including the culture of gardens and landscapes and the importance of plants for human well-being,”

work samples

For visual artists: 5 - 10 images, please include the dimensions, year, medium, and title of each work sample. 

For creative non-fiction, fiction, essayists, or other writers: 7 - 10 pages total that demonstrate your current interests. Please use 12-point font, 1-inch margins, and double-space your writing sample. Do not include photocopies of published work, title pages, tables of contents or HYPERLINKS. Please be sure to state the genre of the work sample.

For time-based artists, including: filmmakers, musicians, dancers, and performance artists: 10 minutes cumulatively of work samples. OSGF encourages video files to be uploaded directly to Submittable, but when necessary, we also accept links to vimeo or other external sites as long as the appropriate passwords are provided.

For poets and playwrights: you may submit 7 - 10 pages total. Poetry may be spaced as needed, and scripts should follow standard script formatting.

NOTE: When applying to this Fellowship, you will be asked if you are interested in being considered for one of our other residencies, if you are not selected for the Fellowship. To learn more about our residencies, visit www.osgf.org/residencies.

Eligibility

Eligible applicants must be early-career artists not enrolled in an undergraduate degree program in 2025. We will consider individuals with a proven track-record of professionalism, but who are yet under-recognized, as early-career. Eligible early-career applicants will have some recognition in the form of exhibitions, commissions, performances, grant awards, residencies, Fellowships and/or publications.

Individuals who have participated in an extensive number of solo exhibitions, or who have published a significant number of books will be considered established or late career, and are not eligible for the Eliza Moore Fellowship. We encourage those who are not eligible for this Fellowship to apply to the Interdisciplinary Residency.

The successful Fellow must be self-directed and able to work independently while on site. Applicants are expected to show dedication to their artistic practice, clear connection to the natural world in their work, exceptional promise, and good communication skills.
Dates

Fellows should arrive on the same start date of an Interdisciplinary Residency, or Botanical Artist Residency, and the Fellow will complete their introductory tours with other Residents. In 2025, these dates are:

Monday, March 3, 2025

Sunday, April 13, 2025 (only available for a 3-week residency)

Monday, May 19, 2025

Monday, June 30, 2025

Sunday, August 10, 2025

Monday, September 8, 2025 

Award

The $10,000 individual grant associated with this award can be put towards travel to and from OSGF, materials and supplies purchased for their residency, and other items that will support their work, before or after their stay at OSGF.

The selected Fellow should make travel arrangements to Dulles International Airport, where Oak Spring will arrange ground transportation for them to our estate in Upperville, VA. The Fellow will be housed in nicely appointed shared accommodations. The Fellow will have a private bedroom and bathroom, and share a living room and kitchen with 1 – 3 other Residents or Fellows.
Selection

Fellows are carefully selected through a multi-round review process in which OSGF staff, residency alumni, and external jurors review and score applications. Fellows are ultimately selected by panels of external reviewers who are established and working in fields or practices relevant to OSGF’s mission. The primary criteria for scoring applicants include: an applicant’s current work’s relationship to the OSGF mission; potential of applicant; and quality of work samples.

Due to the high volume of applications we receive, we are unfortunately not able to provide individualized feedback to applicants who are not selected for a residency.

Tuesday, April 16, 2024

NY THEATER FESTIVAL SPRING/SUMMER and FALL/WINTER 2024

  NY THEATER FESTIVAL

SPRING/SUMMER and FALL/WINTER 2024
25TH CONTINUOUS SEASON

 

THE NEW YORK THEATER FESTIVAL COMPETITION 

for PLAYS and MUSICALS

 TOTAL PRIZES $8,000 • FIRST PRIZE $3,500 • FULL LENGTHS • ONE ACTS • SHORTS • SOLOS

Producing your play or musical is the best way to review and develop your work.

 

TESTIMONIALS

https://newyorktheaterfestival.com/testimonials/

 

ALL PRODUCTIONS CAN OBTAIN A VIDEO RECORDING OF THEIR SHOWS

 

 

WE MAKE A VIDEO RECORDING OF THE PRODUCTION AVAILABLE TO ALL PARTICIPANTS – WE USE FOUR CAMERAS SO PARTICIPANTS HAVE FOUR CAMERAS ANGLES WITH WHICH TO EDIT INTO A COHESIVE CUT.

 

THE FESTIVAL OFFERS RAW FOOTAGE FROM 4 CAMERAS OR CAN SIMPLY DELIVER THE RAW FOOTAGE FROM THE CENTRAL CAMERA’S WIDE ANGLE WHICH CAN FUNCTION AS A RECORDING WITHOUT ANY EDITING REQUIRED.

 

PARTICIPANTS CAN USE THE RECORDING OF THEIR SHOWS AS AN ASSET FOR FUTURE MARKETING AND TO PROVIDE REEL MATERIAL FOR FUTURE INDUSTRY MANAGERS 

 

FURTHERMORE, FILMING THE SHOW MEANS THAT FRIENDS AND FAMILY CAN PURCHASE TICKETS TO ATTEND OVER ZOOM - SPECIFICALLY THOSE WHO CAN'T TRAVEL TO SEE THE PERFORMANCES. THIS MAKES IT AVAILABLE TO ANYONE ALL OVER THE COUNTRY OR THE WORLD

 

When you stage your work, you discover ways to enhance and improve your presentation and story.

This is a unique opportunity to invite people from the industry to see your production! People are more likely to go see a show than to read an unsolicited script - some industry people receive on average thousands of submissions per month. They understand that the journey for a show to be successful often goes through several productions and this is your chance to show that you can start that process! 

Our dedicated team is here to help you get your work out. We are with you from the moment you begin tech rehearsals, all the way through to your closing performance.


You will never be left alone during the process. We will help you choose from the 85 set/furniture pieces we offer to dress your stage for your run, and we will give you a complete crash course on how to use the audio/light/video system in just 3 minutes, which are intentionally designed to be very user friendly. 

 

After we show you how to use the tools we provide and how to best utilize the space, The Festival’s team will provide prime responses to every inquiry, as well as a telephone # you can call anytime during relevant hours throughout the run of your show

 

In 12 years and 22 seasons we have successfully hosted 1,400 plays and 300 musicals, as well as rewarding over 300 participating artists cash prizes.

 

Yours could be the next production onstage!

 

AMERICA'S LARGEST AND MOST PRESTIGIOUS PLAYWRIGHT-MUSICAL FESTIVAL-COMPETITION

 

To submit to the Festival, go to:


https://NewYorkTheaterFestival.com/ 


Send your submissions now – we only accept submissions from playwrights who lives within 30 miles of Manhattan.

 

PlayGround-NY Writers Pool 2024

Website

Deadline:  June 30, 2024 11:59pm ET


Are you a New York-based early-career or aspiring professional playwright? Have you ever wanted to see your plays performed on stage by leading local professional actors? Do you respond well to deadlines?

PlayGround is seeking applications for the fourth PlayGround-NY Writers Pool. Only members of the Writers Pool are invited to submit for the Monday Night PlayGround short play staged reading series, from which each year’s Best of PlayGround are selected. PlayGround releases a prompt on a Friday morning and writers have just four-and-a-half days to write an original ten-minute play inspired by the prompt. Of the submitted scripts, 6 get chosen for a fully-staged, partly-teched, script-in-hand reading led by leading local directors and actors, on fourth Mondays, October-March. Writers not chosen in any given month can participate in PlayGround Recess, with the opportunity to hear their work read aloud by professional actors and receive peer feedback in a private setting.

The PlayGround Writers Pool has featured some of the nation’s most distinguished new writers of the past two decades, including Lauren Yee, Christopher Chen, Jonathan Spector, Geetha Reddy, Vincent Terrell Durham, and Diana Burbano, among others.

POOL REQUIREMENTS

To be eligible, writers must reside within the five burroughs of New York City.

Writers Pool members must commit to submitting for at least four of the six Monday Night PlayGrounds in any season. The submission of a script to Monday Night PlayGround grants PlayGround the exclusive option to stage the play as part of the Monday Night PlayGround and, should it be so selected, to present the world premiere as part of Best of PlayGround and the non-exclusive right to publish the script in the “Best of PlayGround” anthology.

All selected writers must attend a mandatory meeting for the Writers Pool on Monday evening, August 26, 2024.

APPLICATION REQUIREMENTS

To apply for a place in the 2024-25 writers pool, please submit a 10-page max, double-spaced script as a Portable Document Format (.pdf) attachment. Both previously produced and unproduced scripts are eligible. The script must have the playwright’s name, address, email and phone number at the top of the first page and include a detailed cast breakdown, and all pages must be numbered. The script title must be labeled by Lastname_Firstname_Title.

Excerpts from longer works are not accepted but short plays that meet the above requirements and are derived from a longer work are accepted. BIPOC, trans/gender-non-conforming & differently-abled playwrights are encouraged to apply.

Applications must be received by 11:59pm ET on Sunday, June 30, 2024. The 2024-25 PlayGround Writers Pool will be announced on or before August 1, 2024.

The submission form can be found HERE.

For any questions not answered above, email to info@playground-ny.org.

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